Canadian photographer Arnaud Maggs’ art practice would make a fascinating case study in the rewards of a disciplined approach to looking at the world. When he died in 2012, Maggs’ respected position as an important, established artist was celebrated in numerous published recollections and commentaries. His photographs appealed to collectors and critics alike because the work could be assimilated and appreciated on several levels. 

Guillaume Simoneau’s approach to photography caught the attention of collectors and critics through his award winning body of work, Love and War, which subtlety documents many things: the practical difficulties of long-distance relationships; the intermediary nature of technology in contemporary society; and the way that war forever changes combatants and the people they love.

In Toronto, we’re fortunate to know Shari Orenstein, an architect and art lover who makes connections between artists and audiences through her fun and informal course, Conversations from the Toronto Art World with the University of Toronto School of Continuing Studies. Shari is Toronto’s ultimate art world insider and she is on a mission to share her knowledge.

Sara Angelucci is a Toronto-based, multi-disciplinary artist. Through her art practice, Angelucci explores how we, as people, relate to one another and to the environment. Her projects make connections between legacy, identity, and accountability in deceptively beautiful ways that provoke contemplation.

The following Q&A touches on Angelucci’s creative process, the use of music in her work, her interest in vernacular photography, and an announcement about a major new installation project scheduled for 2017.