Shaving Madison's Head by Wynne Neilly
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- Artwork Info
- About the Artist
- Artist News
Signed, dated, and editioned by artist, au verso
Edition of 5 + 1 AP
Wynne Neilly is a Canadian, queer and trans identified, visual artist and award winning photographer based in Hamilton, ON.
His artistic practice, most often, is an investigation into engaging with queer and trans identity, both on an individual level and relationally within the community. Wynne’s work aims to open up a conversation around how we read and interpret intimacy between queer and trans bodies, both in the subject matter itself and from his gaze as the image maker. The content of his work seeks to reveal and support the notion of individuality and non-normative presentations of gender identity as political liberation and personal healing.
Since finishing art school in 2012, Wynne has continued to focus his practice on investigating and observing the vastness that lies within the individual identity and the outdated ideals of intimacy through portraiture and self-portraiture. Over the years, several of his works have been included in exhibitions at The Canadian Lesbian & Gay Archives; Gallery TPW; Joseph Gross Gallery (Tucson); The Art Gallery of Burlington; International Center of Photography (New York); Wignall Museum of Contemporary Art (Los Angeles); The Annenberg Space for Photography (Los Angeles); and Sørlandet Art Museum (Norway).
- Ryerson Today: Ryerson grad photographs Elliot Page in TIME's first cover of trans man
CBC Arts: When Elliot Page was ready for his closeup, he wanted photographer Wynne Neilly behind the lens
ARTSCAPE PODCAST CFUV: Gender as Art (podcast)
Xtra!: Wynne Neilly’s photographs celebrate LGBTQ2 identities
The Huffington Post: Wynne Neilly: Female to 'Male,' Self-Portrait Project, Documents Artist's Transition
Mic.com: Photographer Documents Transition from Female to Male in Intimate Portrait Project
Bustle.com: Photographer Wynne Neilly's "Female to 'Male'" Series Documents a Transgender Journey
Refinery29: This Trans* Photographer Chronicled His Own Transition