{"title":"PRIDE 2026 HOMEPAGE","description":"","products":[{"product_id":"twomenwithdalmationdog-atthesanfranciscogay-lesbianfreedomdayparadesaulbromberger-sandrahoover","title":"Two Men With Dalmation Dog, at the San Francisco Gay \u0026 Lesbian Freedom Day Parade","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1989\u003cbr\u003eDigital Print on Epson Cold Press White Bright 290 gsm\u003cbr\u003ePhotographed by Saul Bromberger\u003cbr\u003eSigned, titled, dated, and editioned by artist in pencil, au verso\u003cbr\u003eEdition of 15, inclusive of all sizes\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca title=\"In Conversation: Saul Bromberger and Sandra Hoover\" href=\"https:\/\/ffoto.com\/blogs\/news\/in-conversation-saul-bromberger-sandra-hoover\" target=\"_blank\"\u003eRead our interview with Saul Bromberger and Sandra Hoover\u003c\/a\u003e\u003c\/p\u003e\nSaul Bromberger and Sandra Hoover have been making photography together for over 35 years. Saul was born in Israel and emigrated to America with his family when he was 9 years old. He learned about American culture and its way-of-life through his work as a newspaper photographer. Sandra, a self-taught photographer, grew up in Hayward, a city in the Bay Area of San Francisco.\n\u003cp\u003eSaul and Sandra have produced documentary and personal projects throughout their years of working together, beginning with the seven-year photo essay project \u003cem\u003ePride - Hearts of the Movement: The San Francisco Gay \u0026amp; Lesbian Freedom Day Parade: 1984-1990\u003c\/em\u003e, which chronicles the LGBTQ+ community's pursuit of civil rights while uniting to confront the rise of AIDS. Their other documentary photo essays include \u003cem\u003eHouse of Angels - Living with AIDS at the Bailey-Boushay House: 1992-1995, 1997\u003c\/em\u003e, a record of the final months of several residents at the first AIDS hospice in America, in Seattle, WA.; and \u003cem\u003eOur American Portraits: 1978-2006\u003c\/em\u003e, which captures scenes of daily life in America.\u003c\/p\u003e\n\u003cp\u003eBromberger and Hoover are currently working on an ongoing project about the men and women who are long-term HIV survivors, called \u003cem\u003ePortrait of the AIDS Generation\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFeatured in solo and group exhibitions in California, Bromberger and Hoover's work is currently being archived by the Dolph Briscoe Center of American History, at the University of Texas in Austin.\u003c\/p\u003e\n\u003cp\u003eLearn more at \u003ca href=\"https:\/\/www.saul-sandraphoto.com\/index\" title=\"Link to Saul Bromberger and Sandra Hoover's website\" target=\"_blank\"\u003eSaul-SandraPhoto.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"13.10 x 18.75 inch (33.28 x 47.63 cm) Image | 16 x 20 inch (40.64 x 50.8 cm) Paper","offer_id":39414976675905,"sku":"FF-BH-0019.1","price":700.0,"currency_code":"USD","in_stock":true},{"title":"18.52 x 26.50 inch (47 x 67.3 cm) Image |24 x 28 inch (60.96 x 71.12 cm) Paper","offer_id":39414976708673,"sku":"FF-BH-0019.2","price":1250.0,"currency_code":"USD","in_stock":true},{"title":"26 x 38 inch (67.45 x 96.52 cm) Image | 28 x 40 inch (71.12 - 101.60 cm) Paper","offer_id":39414976741441,"sku":"FF-BH-0019.3","price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/TwoMenWithDalmationDog_TheSanFranciscoGay_LesbianFreedomDayParade.jpg?v=1630419674"},{"product_id":"marsha-p-johnson-1982-nyc-pride-parade-variant-1","title":"Marsha P. Johnson, 1982 NYC Pride Parade (Variant 1)","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1982\u003cbr\u003ePigment Ink on Canson Platine Rag\u003cbr\u003eSigned, in black ink, au verso; signed and numbered au verso\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003cp\u003e20 x 30 | Edition of 5 (#1\/5)\u003cbr\u003e16 x 20 | Edition of 15 (#1\/15)\u003cbr\u003e11 x 14 | Edition of 25 (#1\/25)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eBarbara Alper is a full-time freelance and fine art photographer with multi-faceted documentary, conceptual, and narrative portfolios. She has published photos in many distinguished journals, magazines and newspapers, such as \u003cem\u003eBarron's\u003c\/em\u003e, \u003cem\u003eNewsweek\u003c\/em\u003e and \u003cem\u003eTime\u003c\/em\u003e, including a lengthy association as a news and feature photographer with \u003cem\u003eThe New York Times\u003c\/em\u003e. Her commercial clients include Condé Nast and the New York Botanical Garden, among others.\n\u003cp\u003eAlper's artistic projects include the series \u003cem\u003eRockaway Beach\u003c\/em\u003e, \u003cem\u003eSea Samba\u003c\/em\u003e, and \u003cem\u003eThe Gulf Channel\u003c\/em\u003e. Her photographs have been exhibited in, and included in the permanent collections of, The Brooklyn Museum, New York; International Center of Photography, New York; FNAC, Paris; Maison Européenne de la Photographie, Paris; The Polaroid Collection, Cambridge, MA; and the Victoria and Albert Museum, London. Publications include \u003cem\u003eRockaway Beach\u003c\/em\u003e, Photojournal \u003cem\u003eAsahi Camera\u003c\/em\u003e, Japan; \u003cem\u003ePicturing the Modern Amazon\u003c\/em\u003e, edited by J. Stein et al, Rizzoli; \u003cem\u003eCats, Dogs 24-7\u003c\/em\u003e, Chronicle Books; and \u003cem\u003e10,000 Eyes\u003c\/em\u003e, Kodak\/Thomasson-Grant.\u003c\/p\u003e\n\u003cp\u003eBased in Manhattan, Alper is represented by Tepper Takayama Fine Arts, Boston, Envision-Stock, and Mega-Press, Tokyo. She holds a B.A. in Social Work from Michigan State University, and studied with renowned photographers Harold Feinstein and Lisette Model and at the MIT Creative Photo Lab, Cambridge, MA.  \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FFOTO","offers":[{"title":"20 x 30 inch (50.8 x 76.2 cm) print","offer_id":45507067871543,"sku":null,"price":3400.0,"currency_code":"USD","in_stock":true},{"title":"16 x 20 inch (40.64 x 50.8 cm) print","offer_id":45507067904311,"sku":null,"price":2200.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 inch (27.94 x 35.56 cm) print","offer_id":45507067937079,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/MPJohnson-3.jpg?v=1685631016"},{"product_id":"lauren-in-their-grannys-yaad","title":"Lauren in Their Granny's Yaad","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2023\u003cbr\u003eDigital Print\u003cbr\u003eSigned and editioned, in ink, au recto\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003cp\u003eUniversal Edition of 5 + 1 AP\u003c\/p\u003e\n\u003cp\u003ePlease inquire if you are interested in purchasing this photograph in a larger or smaller size.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJanice Reid is an emerging artist based in Brampton, On.\u003c\/p\u003e\n\u003cp\u003eReid is a portrait photographer who received her diploma in creative photography from Humber College. Her photography focuses on the Black female subject, innovations in fashion, and the urban landscape. The artist explains, “I want my work to focus on telling the stories of the invisibility of Black women so that we can start to re-imagine and re-create our own narratives collectively.”\u003c\/p\u003e\n\u003cp\u003eJanice Reid’s colorful contemporary style has been shaped by a breadth of photographers and mixed media artists including Carrie Mae Weems, Lorraine O’Grady, and Oroma Elewa.\u003c\/p\u003e\n\u003cp\u003eFFOTO was introduced to Janice Reid’s photography through our partnership with \u003ca href=\"https:\/\/www.bandgallery.com\/\" title=\"BAND Gallery and Cultural Centre\" target=\"_blank\"\u003eBAND Gallery and Cultural Centre\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Janice_Reid.pdf?v=1598552184\" title=\"Artist Bio: Janice Reid\" target=\"_blank\"\u003eArtist Bio\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/spacing.ca\/toronto\/2018\/10\/03\/janice-reids-real-love-intersects-race-and-space\/\" title=\"Janice Reid’s “Real Love” intersects race and space\" target=\"_blank\"\u003eJanice Reid’s “Real Love” intersects race and space\u003c\/a\u003e, \u003cem\u003eSpacing Toronto\u003c\/em\u003e, October 3, 2018\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"20 x 16 inch (50.80 x 40.64 cm)","offer_id":51316341408055,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/LAUREN_IN_THEIR_GRANNY_S_YAAD.png?v=1762439580"},{"product_id":"drag-from-polari-a-dictionary","title":"Drag","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout Polari, a dictionary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2026\u003cbr\u003eFrom the series \u003cem\u003ePolari, a dictionary\u003c\/em\u003e\u003cbr\u003eSilver gelatin print, hand-embellished with text stamps and ink\u003cbr\u003eEditioned in ink, by artist, au verso\u003cbr\u003eEdition of 8 + 2 AP\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNeeko Paluzzi is a lens-based artist and educator working with images, text, and installation. Drawing on a background in linguistic pedagogy, he approaches art as an act of translation, developing intertextual projects that situate historical texts within contemporary frameworks. Influenced by Jorge Luis Borges, he understands translation as unstable and cumulative, where each iteration carries the conditions of its making. His projects often begin with an originating text — the Urtext — and its subsequent adaptations, treating these versions as coexisting rather than hierarchical. This approach resists linear authorship and colonial frameworks, aligning with queer theories of multiplicity and refusal of singular origin.\u003c\/p\u003e\n\u003cp\u003eHis practice moves between digital and analog processes, including collage, text-based composition, and darkroom techniques. These methods allow for layered acts of citation in which sources accumulate across time, sometimes spanning centuries. Authorship in his work is distributed: each reference becomes part of a network of interdependent ideas, foregrounding translation as a shared and ongoing process rather than a fixed outcome.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePolari is a queer-coded lexicon — variously described by scholars as a proto-language or linguistic styling — that emerged from Mediterranean ports, circuses, and theatrical cultures in the late eighteenth century. Drawing from Italian, French, Spanish, English, and Arabic, polari functioned as a system of verbal signifiers through which queer people identified kinship and signaled desire. Though limited to roughly one hundred words and lacking formal syntax, its adaptability allowed it to be embedded within multiple mother tongues, ensuring secrecy and mobility. Terms such as drag, butch, and trade persist today, evidencing its evolution from coded speech to cultural inheritance. These small photographs resemble language flash cards, compressing meaning into discrete, repeatable units that rely on recognition rather than explication. Lavender fingerprints operate as mark and signal, an index of contact and transmission referencing covert exchange between intergenerational queer people, extending polari’s logic into image and touch.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"4 x 5 inches (10.16 x 12.7 cm)","offer_id":52229827297591,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/POLARI_2026_DRAG_FRONT_1_8.jpg?v=1779981936"},{"product_id":"lovers-on-the-roof-of-the-municipal-building-new-york","title":"Lovers on the Roof of the Municipal Building, New York","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1978\u003cbr\u003eGelatin silver print\u003cbr\u003eFrom the series \"Facing Up\"\u003cbr\u003e\nSigned and titled, in ink, au recto\u003cbr\u003e\nAnnotated \"Faces\", with artist stamp, in ink, annotated, in pencil, au verso\u003cbr\u003e\nPrinted in 1978\n\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e(b. 1940, New York City, USA)\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn, New York, on November 24, 1940, Arthur Tress began taking photographs as a teenager in Coney Island, where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mainly in Asia and Africa, he developed an interest in ethnographical photography that led to his first professional assignment as a U.S. government photographer recording endangered folk cultures of Appalachia.\u003c\/p\u003e\n\u003cp\u003eSeeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children’s dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach.\u003c\/p\u003e\n\u003cp\u003eBeginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York’s Welfare Island. This led to a smaller scale exploration of narrative still life within a children’s toy theater and a portable nineteenth-century aquarium.\u003c\/p\u003e\n\u003cp\u003eAround 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist’s sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"7 ½ x 7 ½ inch (19.05 x 19.05 cm) image | 9 ⅞ x 7 ⅞ inch (25.08 x 20.00 cm) paper","offer_id":52341815476535,"sku":"SBG-ATR-0217-C","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/LoversontheRoofoftheMunicipalBuilding_NewYork.jpg?v=1780514456"}],"url":"https:\/\/ffoto.com\/collections\/pride-2026-homepage.oembed","provider":"FFOTO","version":"1.0","type":"link"}