{"title":"Pride 2026 - an online and in-person exhibition","description":"\u003cp\u003eCelebrate Pride with an exhibition of photographs and artworks depicting Pride past and present — quiet moments, joyful parades, intimate connections, literary luminaries, and personalities who helped define Pride since the Stonewall riots, plus contemporary portraits and Queer-coded collages and small collectibles.\u003c\/p\u003e\n\u003cp\u003eView this month-long exhibition, programmed by FFOTO.com, in the Reading Room at Stephen Bulger Gallery in Toronto from June 4-30 - and all summer long online at FFOTO.\u003c\/p\u003e","products":[{"product_id":"gaypridebarbaraalper","title":"Gay Pride","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1982\u003cbr\u003ePigment Ink on Canson Platine Rag\u003cbr\u003eSigned, in black ink, au verso; signed and numbered au verso\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003cp\u003e20 x 30 | Edition of 5 (#1\/5)\u003cbr\u003e16 x 20 | Edition of 15 (#1\/15)\u003cbr\u003e11 x 14 | Edition of 25 (#1\/25)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eBarbara Alper is a full-time freelance and fine art photographer with multi-faceted documentary, conceptual, and narrative portfolios. She has published photos in many distinguished journals, magazines and newspapers, such as \u003cem\u003eBarron's\u003c\/em\u003e, \u003cem\u003eNewsweek\u003c\/em\u003e and \u003cem\u003eTime\u003c\/em\u003e, including a lengthy association as a news and feature photographer with \u003cem\u003eThe New York Times\u003c\/em\u003e. Her commercial clients include Condé Nast and the New York Botanical Garden, among others.\n\u003cp\u003eAlper's artistic projects include the series \u003cem\u003eRockaway Beach\u003c\/em\u003e, \u003cem\u003eSea Samba\u003c\/em\u003e, and \u003cem\u003eThe Gulf Channel\u003c\/em\u003e. Her photographs have been exhibited in, and included in the permanent collections of, The Brooklyn Museum, New York; International Center of Photography, New York; FNAC, Paris; Maison Européenne de la Photographie, Paris; The Polaroid Collection, Cambridge, MA; and the Victoria and Albert Museum, London. Publications include \u003cem\u003eRockaway Beach\u003c\/em\u003e, Photojournal \u003cem\u003eAsahi Camera\u003c\/em\u003e, Japan; \u003cem\u003ePicturing the Modern Amazon\u003c\/em\u003e, edited by J. Stein et al, Rizzoli; \u003cem\u003eCats, Dogs 24-7\u003c\/em\u003e, Chronicle Books; and \u003cem\u003e10,000 Eyes\u003c\/em\u003e, Kodak\/Thomasson-Grant.\u003c\/p\u003e\n\u003cp\u003eBased in Manhattan, Alper is represented by Tepper Takayama Fine Arts, Boston, Envision-Stock, and Mega-Press, Tokyo. She holds a B.A. in Social Work from Michigan State University, and studied with renowned photographers Harold Feinstein and Lisette Model and at the MIT Creative Photo Lab, Cambridge, MA.  \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FFOTO","offers":[{"title":"20 x 30 inch (50.8 x 76.2 cm) print","offer_id":31678815961153,"sku":"564169037","price":3400.0,"currency_code":"USD","in_stock":true},{"title":"17 x 22 inches (43.18 x 55.88 cm) print","offer_id":31678843256897,"sku":null,"price":2200.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 inch (27.94 x 35.56 cm) print","offer_id":31678843289665,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/564169037.jpg?v=1587133278"},{"product_id":"gaypridebarbaraalperv2","title":"Gay Pride","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1982\u003cbr\u003ePigment Ink on Canson Platine Rag\u003cbr\u003eSigned, in black ink, au verso; signed and numbered au verso\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003cp\u003e20 x 30 | Edition of 5 (#1\/5)\u003cbr\u003e16 x 20 | Edition of 15 (#1\/15)\u003cbr\u003e11 x 14 | Edition of 25 (#1\/25)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eBarbara Alper is a full-time freelance and fine art photographer with multi-faceted documentary, conceptual, and narrative portfolios. She has published photos in many distinguished journals, magazines and newspapers, such as \u003cem\u003eBarron's\u003c\/em\u003e, \u003cem\u003eNewsweek\u003c\/em\u003e and \u003cem\u003eTime\u003c\/em\u003e, including a lengthy association as a news and feature photographer with \u003cem\u003eThe New York Times\u003c\/em\u003e. Her commercial clients include Condé Nast and the New York Botanical Garden, among others.\n\u003cp\u003eAlper's artistic projects include the series \u003cem\u003eRockaway Beach\u003c\/em\u003e, \u003cem\u003eSea Samba\u003c\/em\u003e, and \u003cem\u003eThe Gulf Channel\u003c\/em\u003e. Her photographs have been exhibited in, and included in the permanent collections of, The Brooklyn Museum, New York; International Center of Photography, New York; FNAC, Paris; Maison Européenne de la Photographie, Paris; The Polaroid Collection, Cambridge, MA; and the Victoria and Albert Museum, London. Publications include \u003cem\u003eRockaway Beach\u003c\/em\u003e, Photojournal \u003cem\u003eAsahi Camera\u003c\/em\u003e, Japan; \u003cem\u003ePicturing the Modern Amazon\u003c\/em\u003e, edited by J. Stein et al, Rizzoli; \u003cem\u003eCats, Dogs 24-7\u003c\/em\u003e, Chronicle Books; and \u003cem\u003e10,000 Eyes\u003c\/em\u003e, Kodak\/Thomasson-Grant.\u003c\/p\u003e\n\u003cp\u003eBased in Manhattan, Alper is represented by Tepper Takayama Fine Arts, Boston, Envision-Stock, and Mega-Press, Tokyo. She holds a B.A. in Social Work from Michigan State University, and studied with renowned photographers Harold Feinstein and Lisette Model and at the MIT Creative Photo Lab, Cambridge, MA.  \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FFOTO","offers":[{"title":"20 x 30 inch (50.8 x 76.2 cm) print","offer_id":31678844403777,"sku":"564168957","price":3400.0,"currency_code":"USD","in_stock":true},{"title":"17 x 22 inches (43.18 x 55.88 cm) print","offer_id":31678844436545,"sku":null,"price":2200.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 inch (27.94 x 35.56 cm) print","offer_id":31678844469313,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/564168957.jpg?v=1587133904"},{"product_id":"assottosaintyveslubainrobertgiard","title":"Assotto Saint (Yves Lubain)","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\u003cp\u003e1986\u003cbr\u003eGelatin silver print\u003cbr\u003eSigned by Jonathan G. Silin, titled, and dated, in pencil, with Estate stamp, in ink, au verso\u003cbr\u003eEstate Accession #0530d [GLW]\u003cbr\u003ePrinted in 1986\u003cbr\u003eProvenance: Direct from the Estate of Robert Giard, New York\u003cbr\u003eUnframed\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRobert Giard (1939 - 2002) was a portrait, landscape, and figure photographer who came relatively late to the practice of photography. A native of Hartford, Connecticut, he majored in English literature and received a B.A. from Yale (1961), then an M.A. in Comparative Literature from Boston University (1965). For a time he taught intermediate grades at the New Lincoln School. By 1972, he began to photograph, concentrating on landscapes of the South Fork of Long Island, portraits of friends, many of them artists and writers in the region, and the nude figure.\u003c\/p\u003e\n\u003cp\u003eIn 1974, Giard settled in Amagansett, Long Island, with his life partner, Jonathan Silin, an early childhood educator, where they remained for nearly thirty years until Giard’s death. In the beginning years of his career, Giard did much of his landscape photography during the late autumn, winter, and early spring when many of the fashionable houses of “The Hamptons” were boarded up for the season. The empty surrounding grounds assumed for him “a mysterious, even somewhat sinister air.” Similarly, his studies of the male and female nude tended less toward an idealizing rendering of form than a description of a specific person. Giard saw this as subsuming “the nude under the heading of the portrait ... they are pictures of people who are naked.”\u003c\/p\u003e\n\u003cp\u003eUltimately, it would be in the area of the formal portrait that Giard’s career made its most indelible mark. In 1985, after seeing a performance of Larry Kramer’s \u003cem\u003eThe Normal Heart\u003c\/em\u003e dealing with the crisis of AIDS, Giard set about documenting in straightforward, unadorned, yet sometimes witty and playful portraits, a wide survey of significant gay and lesbian literary lights. His portraits included such iconic figures as Edward Albee, Allen Ginsberg, and Adrienne Rich, as well as emerging novelists making their first mark, including Sapphire, David Leavitt, Shay Youngblood, and Michael Cunningham. A selection of these portraits, culled from the five hundred examples he had by then already amassed, was published by MIT Press in 1997 as the anthology \u003ca href=\"http:\/\/robertgiardfoundation.org\/particular-voices\" title=\"link to Particular Voices: Portraits of Gay and Lesbian Writers\" target=\"_blank\"\u003e\u003cem\u003eParticular Voices: Portraits of Gay and Lesbian Writers\u003c\/em\u003e\u003c\/a\u003e, which then served as the companion volume to the New York Public Library’s 1998 exhibition of the same name.\u003c\/p\u003e\n\u003cp\u003eAt the time of his death in July, 2002, just shy of his 63rd birthday, Giard was working on a portrait documentation of the three hundred twenty-one grant recipients from around the country of The Thanks Be To Grandmother Winifred Foundation, which until 2001 supported projects by women fifty-four years and older that benefited other mature women. Grants supported research and artistic projects, as well as efforts to alleviate social, economic, and medical problems for women in a given locality. Giard, traveling the country by train, bus, and plane (he never had a driver’s license) succeeded in photographing two hundred forty-one of the women grantees, and kept a journal of his travels and his many visits to a richly diverse group of American women in small towns and major cities.\u003c\/p\u003e\n\u003cp\u003eRobert Giard was the recipient of many grants and awards, and the published version of \u003cem\u003eParticular Voices\u003c\/em\u003e won a Lambda Literary Foundation Award for Best Photography\/Art Book in 1997. Giard had a long and distinguished solo and group exhibition career throughout the United States. Examples of his work are in collections of The Brooklyn Museum, the San Francisco Public Library, the New York Public Library, and the Library of Congress. Giard’s complete archive, including work books and ephemera, is now housed in the American Collection of the Beinecke Rare Book and Manuscript Library at Yale University.\u003c\/p\u003e\n\u003cp\u003eSource: \u003ca href=\"http:\/\/robertgiardfoundation.org\/\" title=\"link to The Robert Giard Foundation\" target=\"_blank\"\u003eThe Robert Giard Foundation\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"14 x 14 ⅛ inch (35.56 x 35.88 cm) image\n 16 x 20 inch (40.64 x 50.80 cm) paper","offer_id":39290211205185,"sku":"SBG-RGI-GLW-0027-C","price":5000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Giard_AssottoSaint_YvesLubain__1986.jpg?v=1618599971"},{"product_id":"memorialserviceforaidsvictimsatthebailey-boushayhousesaulbromberger-sandrahoover","title":"Memorial Service for AIDS Victims at the Bailey-Boushay House","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1993\u003cbr\u003eDigital Print on Epson Cold Press White Bright 290 gsm\u003cbr\u003ePhotographed by Saul Bromberger\u003cbr\u003eSigned, titled, dated, and editioned by artist in pencil, au verso\u003cbr\u003eEdition of 15, inclusive of all sizes\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca title=\"In Conversation: Saul Bromberger and Sandra Hoover\" href=\"https:\/\/ffoto.com\/blogs\/news\/in-conversation-saul-bromberger-sandra-hoover\" target=\"_blank\"\u003eRead our interview with Saul Bromberger and Sandra Hoover\u003c\/a\u003e\u003c\/p\u003e\nSaul Bromberger and Sandra Hoover have been making photography together for over 35 years. Saul was born in Israel and emigrated to America with his family when he was 9 years old. He learned about American culture and its way-of-life through his work as a newspaper photographer. Sandra, a self-taught photographer, grew up in Hayward, a city in the Bay Area of San Francisco.\n\u003cp\u003eSaul and Sandra have produced documentary and personal projects throughout their years of working together, beginning with the seven-year photo essay project \u003cem\u003ePride - Hearts of the Movement: The San Francisco Gay \u0026amp; Lesbian Freedom Day Parade: 1984-1990\u003c\/em\u003e, which chronicles the LGBTQ+ community's pursuit of civil rights while uniting to confront the rise of AIDS. Their other documentary photo essays include \u003cem\u003eHouse of Angels - Living with AIDS at the Bailey-Boushay House: 1992-1995, 1997\u003c\/em\u003e, a record of the final months of several residents at the first AIDS hospice in America, in Seattle, WA.; and \u003cem\u003eOur American Portraits: 1978-2006\u003c\/em\u003e, which captures scenes of daily life in America.\u003c\/p\u003e\n\u003cp\u003eBromberger and Hoover are currently working on an ongoing project about the men and women who are long-term HIV survivors, called \u003cem\u003ePortrait of the AIDS Generation\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFeatured in solo and group exhibitions in California, Bromberger and Hoover's work is currently being archived by the Dolph Briscoe Center of American History, at the University of Texas in Austin.\u003c\/p\u003e\n\u003cp\u003eLearn more at \u003ca href=\"https:\/\/www.saul-sandraphoto.com\/index\" title=\"Link to Saul Bromberger and Sandra Hoover's website\" target=\"_blank\"\u003eSaul-SandraPhoto.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"13.10 x 18.75 inch (33.28 x 47.63 cm) Image | 16 x 20 inch (40.64 x 50.8 cm) Paper","offer_id":39414976479297,"sku":"FF-BH-0017.1","price":700.0,"currency_code":"USD","in_stock":true},{"title":"18.52 x 26.50 inch (47 x 67.3 cm) Image |24 x 28 inch (60.96 x 71.12 cm) Paper","offer_id":39414976512065,"sku":"FF-BH-0017.2","price":1250.0,"currency_code":"USD","in_stock":true},{"title":"26 x 38 inch (67.45 x 96.52 cm) Image | 28 x 40 inch (71.12 - 101.60 cm) Paper","offer_id":39414976544833,"sku":"FF-BH-0017.3","price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/MemorialServiceforAIDSVictimsattheBailey-BoushayHouse.jpg?v=1630419652"},{"product_id":"twomenwithdalmationdog-atthesanfranciscogay-lesbianfreedomdayparadesaulbromberger-sandrahoover","title":"Two Men With Dalmation Dog, at the San Francisco Gay \u0026 Lesbian Freedom Day Parade","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1989\u003cbr\u003eDigital Print on Epson Cold Press White Bright 290 gsm\u003cbr\u003ePhotographed by Saul Bromberger\u003cbr\u003eSigned, titled, dated, and editioned by artist in pencil, au verso\u003cbr\u003eEdition of 15, inclusive of all sizes\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca title=\"In Conversation: Saul Bromberger and Sandra Hoover\" href=\"https:\/\/ffoto.com\/blogs\/news\/in-conversation-saul-bromberger-sandra-hoover\" target=\"_blank\"\u003eRead our interview with Saul Bromberger and Sandra Hoover\u003c\/a\u003e\u003c\/p\u003e\nSaul Bromberger and Sandra Hoover have been making photography together for over 35 years. Saul was born in Israel and emigrated to America with his family when he was 9 years old. He learned about American culture and its way-of-life through his work as a newspaper photographer. Sandra, a self-taught photographer, grew up in Hayward, a city in the Bay Area of San Francisco.\n\u003cp\u003eSaul and Sandra have produced documentary and personal projects throughout their years of working together, beginning with the seven-year photo essay project \u003cem\u003ePride - Hearts of the Movement: The San Francisco Gay \u0026amp; Lesbian Freedom Day Parade: 1984-1990\u003c\/em\u003e, which chronicles the LGBTQ+ community's pursuit of civil rights while uniting to confront the rise of AIDS. Their other documentary photo essays include \u003cem\u003eHouse of Angels - Living with AIDS at the Bailey-Boushay House: 1992-1995, 1997\u003c\/em\u003e, a record of the final months of several residents at the first AIDS hospice in America, in Seattle, WA.; and \u003cem\u003eOur American Portraits: 1978-2006\u003c\/em\u003e, which captures scenes of daily life in America.\u003c\/p\u003e\n\u003cp\u003eBromberger and Hoover are currently working on an ongoing project about the men and women who are long-term HIV survivors, called \u003cem\u003ePortrait of the AIDS Generation\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFeatured in solo and group exhibitions in California, Bromberger and Hoover's work is currently being archived by the Dolph Briscoe Center of American History, at the University of Texas in Austin.\u003c\/p\u003e\n\u003cp\u003eLearn more at \u003ca href=\"https:\/\/www.saul-sandraphoto.com\/index\" title=\"Link to Saul Bromberger and Sandra Hoover's website\" target=\"_blank\"\u003eSaul-SandraPhoto.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"13.10 x 18.75 inch (33.28 x 47.63 cm) Image | 16 x 20 inch (40.64 x 50.8 cm) Paper","offer_id":39414976675905,"sku":"FF-BH-0019.1","price":700.0,"currency_code":"USD","in_stock":true},{"title":"18.52 x 26.50 inch (47 x 67.3 cm) Image |24 x 28 inch (60.96 x 71.12 cm) Paper","offer_id":39414976708673,"sku":"FF-BH-0019.2","price":1250.0,"currency_code":"USD","in_stock":true},{"title":"26 x 38 inch (67.45 x 96.52 cm) Image | 28 x 40 inch (71.12 - 101.60 cm) Paper","offer_id":39414976741441,"sku":"FF-BH-0019.3","price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/TwoMenWithDalmationDog_TheSanFranciscoGay_LesbianFreedomDayParade.jpg?v=1630419674"},{"product_id":"dykesonbikesbeforetheparade-thesanfranciscogay-lesbianfreedomdayparadesaulbromberger-sandrahoover","title":"Dykes on Bikes Before the Parade, The San Francisco Gay \u0026 Lesbian Freedom Day Parade","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1988\u003cbr\u003eDigital Print on Epson Cold Press White Bright 290 gsm\u003cbr\u003ePhotographed by Saul Bromberger\u003cbr\u003eSigned, titled, dated, and editioned by artist in pencil, au verso\u003cbr\u003eEdition of 15, inclusive of all sizes\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca title=\"In Conversation: Saul Bromberger and Sandra Hoover\" href=\"https:\/\/ffoto.com\/blogs\/news\/in-conversation-saul-bromberger-sandra-hoover\" target=\"_blank\"\u003eRead our interview with Saul Bromberger and Sandra Hoover\u003c\/a\u003e\u003c\/p\u003e\nSaul Bromberger and Sandra Hoover have been making photography together for over 35 years. Saul was born in Israel and emigrated to America with his family when he was 9 years old. He learned about American culture and its way-of-life through his work as a newspaper photographer. Sandra, a self-taught photographer, grew up in Hayward, a city in the Bay Area of San Francisco.\n\u003cp\u003eSaul and Sandra have produced documentary and personal projects throughout their years of working together, beginning with the seven-year photo essay project \u003cem\u003ePride - Hearts of the Movement: The San Francisco Gay \u0026amp; Lesbian Freedom Day Parade: 1984-1990\u003c\/em\u003e, which chronicles the LGBTQ+ community's pursuit of civil rights while uniting to confront the rise of AIDS. Their other documentary photo essays include \u003cem\u003eHouse of Angels - Living with AIDS at the Bailey-Boushay House: 1992-1995, 1997\u003c\/em\u003e, a record of the final months of several residents at the first AIDS hospice in America, in Seattle, WA.; and \u003cem\u003eOur American Portraits: 1978-2006\u003c\/em\u003e, which captures scenes of daily life in America.\u003c\/p\u003e\n\u003cp\u003eBromberger and Hoover are currently working on an ongoing project about the men and women who are long-term HIV survivors, called \u003cem\u003ePortrait of the AIDS Generation\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFeatured in solo and group exhibitions in California, Bromberger and Hoover's work is currently being archived by the Dolph Briscoe Center of American History, at the University of Texas in Austin.\u003c\/p\u003e\n\u003cp\u003eLearn more at \u003ca href=\"https:\/\/www.saul-sandraphoto.com\/index\" title=\"Link to Saul Bromberger and Sandra Hoover's website\" target=\"_blank\"\u003eSaul-SandraPhoto.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"13.10 x 18.75 inch (33.28 x 47.63 cm) Image | 16 x 20 inch (40.64 x 50.8 cm) Paper","offer_id":39414977036353,"sku":"FF-BH-0022.1","price":700.0,"currency_code":"USD","in_stock":true},{"title":"18.52 x 26.50 inch (47 x 67.3 cm) Image |24 x 28 inch (60.96 x 71.12 cm) Paper","offer_id":39414977069121,"sku":"FF-BH-0022.2","price":1250.0,"currency_code":"USD","in_stock":true},{"title":"26 x 38 inch (67.45 x 96.52 cm) Image | 28 x 40 inch (71.12 - 101.60 cm) Paper","offer_id":39414977101889,"sku":"FF-BH-0022.3","price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/DykesonBikesBeforetheParade_TheSanFranciscoGay_LesbianFreedomDayParade.jpg?v=1630419273"},{"product_id":"womenontheverge-thesanfranciscogay-lesbianfreedomdayparadesaulbromberger-sandrahoover","title":"Women on the Verge, The San Francisco Gay \u0026 Lesbian Freedom Day Parade","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1990\u003cbr\u003eDigital Print on Epson Cold Press White Bright 290 gsm\u003cbr\u003ePhotographed by Sandra Hoover\u003cbr\u003eSigned, titled, dated, and editioned by artist in pencil, au verso\u003cbr\u003eEdition of 15, inclusive of all sizes\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca title=\"In Conversation: Saul Bromberger and Sandra Hoover\" href=\"https:\/\/ffoto.com\/blogs\/news\/in-conversation-saul-bromberger-sandra-hoover\" target=\"_blank\"\u003eRead our interview with Saul Bromberger and Sandra Hoover\u003c\/a\u003e\u003c\/p\u003e\nSaul Bromberger and Sandra Hoover have been making photography together for over 35 years. Saul was born in Israel and emigrated to America with his family when he was 9 years old. He learned about American culture and its way-of-life through his work as a newspaper photographer. Sandra, a self-taught photographer, grew up in Hayward, a city in the Bay Area of San Francisco.\n\u003cp\u003eSaul and Sandra have produced documentary and personal projects throughout their years of working together, beginning with the seven-year photo essay project \u003cem\u003ePride - Hearts of the Movement: The San Francisco Gay \u0026amp; Lesbian Freedom Day Parade: 1984-1990\u003c\/em\u003e, which chronicles the LGBTQ+ community's pursuit of civil rights while uniting to confront the rise of AIDS. Their other documentary photo essays include \u003cem\u003eHouse of Angels - Living with AIDS at the Bailey-Boushay House: 1992-1995, 1997\u003c\/em\u003e, a record of the final months of several residents at the first AIDS hospice in America, in Seattle, WA.; and \u003cem\u003eOur American Portraits: 1978-2006\u003c\/em\u003e, which captures scenes of daily life in America.\u003c\/p\u003e\n\u003cp\u003eBromberger and Hoover are currently working on an ongoing project about the men and women who are long-term HIV survivors, called \u003cem\u003ePortrait of the AIDS Generation\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eFeatured in solo and group exhibitions in California, Bromberger and Hoover's work is currently being archived by the Dolph Briscoe Center of American History, at the University of Texas in Austin.\u003c\/p\u003e\n\u003cp\u003eLearn more at \u003ca href=\"https:\/\/www.saul-sandraphoto.com\/index\" title=\"Link to Saul Bromberger and Sandra Hoover's website\" target=\"_blank\"\u003eSaul-SandraPhoto.com\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"13.10 x 18.75 inch (33.28 x 47.63 cm) Image | 16 x 20 inch (40.64 x 50.8 cm) Paper","offer_id":39414977134657,"sku":"FF-BH-0023.1","price":700.0,"currency_code":"USD","in_stock":true},{"title":"18.52 x 26.50 inch (47 x 67.3 cm) Image |24 x 28 inch (60.96 x 71.12 cm) Paper","offer_id":39414977167425,"sku":"FF-BH-0023.2","price":1250.0,"currency_code":"USD","in_stock":true},{"title":"26 x 38 inch (67.45 x 96.52 cm) Image | 28 x 40 inch (71.12 - 101.60 cm) Paper","offer_id":39414977200193,"sku":"FF-BH-0023.3","price":2250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/WomenontheVerge_TheSanFranciscoGay_LesbianFreedomDayParade.jpg?v=1630419257"},{"product_id":"marsha-p-johnson-1982-nyc-pride-parade-variant-1","title":"Marsha P. Johnson, 1982 NYC Pride Parade (Variant 1)","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1982\u003cbr\u003ePigment Ink on Canson Platine Rag\u003cbr\u003eSigned, in black ink, au verso; signed and numbered au verso\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003cp\u003e20 x 30 | Edition of 5 (#1\/5)\u003cbr\u003e16 x 20 | Edition of 15 (#1\/15)\u003cbr\u003e11 x 14 | Edition of 25 (#1\/25)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eBarbara Alper is a full-time freelance and fine art photographer with multi-faceted documentary, conceptual, and narrative portfolios. She has published photos in many distinguished journals, magazines and newspapers, such as \u003cem\u003eBarron's\u003c\/em\u003e, \u003cem\u003eNewsweek\u003c\/em\u003e and \u003cem\u003eTime\u003c\/em\u003e, including a lengthy association as a news and feature photographer with \u003cem\u003eThe New York Times\u003c\/em\u003e. Her commercial clients include Condé Nast and the New York Botanical Garden, among others.\n\u003cp\u003eAlper's artistic projects include the series \u003cem\u003eRockaway Beach\u003c\/em\u003e, \u003cem\u003eSea Samba\u003c\/em\u003e, and \u003cem\u003eThe Gulf Channel\u003c\/em\u003e. Her photographs have been exhibited in, and included in the permanent collections of, The Brooklyn Museum, New York; International Center of Photography, New York; FNAC, Paris; Maison Européenne de la Photographie, Paris; The Polaroid Collection, Cambridge, MA; and the Victoria and Albert Museum, London. Publications include \u003cem\u003eRockaway Beach\u003c\/em\u003e, Photojournal \u003cem\u003eAsahi Camera\u003c\/em\u003e, Japan; \u003cem\u003ePicturing the Modern Amazon\u003c\/em\u003e, edited by J. Stein et al, Rizzoli; \u003cem\u003eCats, Dogs 24-7\u003c\/em\u003e, Chronicle Books; and \u003cem\u003e10,000 Eyes\u003c\/em\u003e, Kodak\/Thomasson-Grant.\u003c\/p\u003e\n\u003cp\u003eBased in Manhattan, Alper is represented by Tepper Takayama Fine Arts, Boston, Envision-Stock, and Mega-Press, Tokyo. She holds a B.A. in Social Work from Michigan State University, and studied with renowned photographers Harold Feinstein and Lisette Model and at the MIT Creative Photo Lab, Cambridge, MA.  \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FFOTO","offers":[{"title":"20 x 30 inch (50.8 x 76.2 cm) print","offer_id":45507067871543,"sku":null,"price":3400.0,"currency_code":"USD","in_stock":true},{"title":"16 x 20 inch (40.64 x 50.8 cm) print","offer_id":45507067904311,"sku":null,"price":2200.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 inch (27.94 x 35.56 cm) print","offer_id":45507067937079,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/MPJohnson-3.jpg?v=1685631016"},{"product_id":"god-save-the-american-queens-nyc-pride-parade-1983","title":"\"God Save the American Queens\", NYC Pride Parade, 1983","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1983\u003cbr\u003ePigment Ink on Canson Platine Rag\u003cbr\u003eSigned, in black ink, au verso; signed and numbered au verso\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003cp\u003e20 x 30 | Edition of 5 (#1\/5)\u003cbr\u003e16 x 20 | Edition of 15 (#1\/15)\u003cbr\u003e11 x 14 | Edition of 25 (#1\/25)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003eBarbara Alper is a full-time freelance and fine art photographer with multi-faceted documentary, conceptual, and narrative portfolios. She has published photos in many distinguished journals, magazines and newspapers, such as \u003cem\u003eBarron's\u003c\/em\u003e, \u003cem\u003eNewsweek\u003c\/em\u003e and \u003cem\u003eTime\u003c\/em\u003e, including a lengthy association as a news and feature photographer with \u003cem\u003eThe New York Times\u003c\/em\u003e. Her commercial clients include Condé Nast and the New York Botanical Garden, among others.\n\u003cp\u003eAlper's artistic projects include the series \u003cem\u003eRockaway Beach\u003c\/em\u003e, \u003cem\u003eSea Samba\u003c\/em\u003e, and \u003cem\u003eThe Gulf Channel\u003c\/em\u003e. Her photographs have been exhibited in, and included in the permanent collections of, The Brooklyn Museum, New York; International Center of Photography, New York; FNAC, Paris; Maison Européenne de la Photographie, Paris; The Polaroid Collection, Cambridge, MA; and the Victoria and Albert Museum, London. Publications include \u003cem\u003eRockaway Beach\u003c\/em\u003e, Photojournal \u003cem\u003eAsahi Camera\u003c\/em\u003e, Japan; \u003cem\u003ePicturing the Modern Amazon\u003c\/em\u003e, edited by J. Stein et al, Rizzoli; \u003cem\u003eCats, Dogs 24-7\u003c\/em\u003e, Chronicle Books; and \u003cem\u003e10,000 Eyes\u003c\/em\u003e, Kodak\/Thomasson-Grant.\u003c\/p\u003e\n\u003cp\u003eBased in Manhattan, Alper is represented by Tepper Takayama Fine Arts, Boston, Envision-Stock, and Mega-Press, Tokyo. She holds a B.A. in Social Work from Michigan State University, and studied with renowned photographers Harold Feinstein and Lisette Model and at the MIT Creative Photo Lab, Cambridge, MA.  \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"FFOTO","offers":[{"title":"20 x 30 inch (50.8 x 76.2 cm) print","offer_id":45507166830903,"sku":null,"price":3400.0,"currency_code":"USD","in_stock":true},{"title":"16 x 20 inch (40.64 x 50.8 cm) print","offer_id":45507166896439,"sku":null,"price":2200.0,"currency_code":"USD","in_stock":true},{"title":"11 x 14 inch (27.94 x 35.56 cm) print","offer_id":45507166929207,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/Gay-07.jpg?v=1687211522"},{"product_id":"how-warm-his-golden-body-will-aitken","title":"How Warm His Golden Body","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2023\u003cbr\u003eFrom the series \u003cem\u003eThe King Dreams the King\u003c\/em\u003e\u003cbr\u003eCollage; laser-printed images and text on Japanese chiyogami decorative paper\u003cbr\u003eEdition: 1\/1\u003cbr\u003eSigned, in pencil, au verso\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWill Aitken is a Montreal artist and writer who works in collage using Japanese chiyogami decorative paper, laser-printed images and text. He is new to the medium and to art-making in general, having picked up his scissors in 2020. As a writer he has published four novels - \u003cem\u003eThe Swells\u003c\/em\u003e, \u003cem\u003eRealia\u003c\/em\u003e, \u003cem\u003eA Visit Home\u003c\/em\u003e and \u003cem\u003eTerre Haute\u003c\/em\u003e - and two non-fiction works - \u003cem\u003eAntigone Undone: Juliette Binoche, Anne Carson, Ivo van Hove and the Art of Resistance\u003c\/em\u003e and \u003cem\u003eDeath in Venice: A Queer Film Classic\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eDiscover Will Aitken's series, \u003ca rel=\"noopener\" title=\"link to the video collage, The King Dreams the King, by Will Aitken\" href=\"https:\/\/vimeo.com\/1031244834\" target=\"_blank\"\u003e\u003cem\u003eThe King Dreams the King\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eView \u003ca rel=\"noopener\" title=\"PIVOT, a video collage by Will Aitken\" href=\"https:\/\/vimeo.com\/1028520695\" target=\"_blank\"\u003e\u003cem\u003ePIVOT\u003c\/em\u003e\u003c\/a\u003e, a video collage created by Will Aitken describing his art practice.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"8.4 x 8.25 inch (21.33 x 20.95 cm)","offer_id":49957193548087,"sku":null,"price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/Aitken-9_r.jpg?v=1731964057"},{"product_id":"fragrants-dripping-heart-will-aitken","title":"Fragrant’s Dripping Heart","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2023\u003cbr\u003eFrom the series \u003cem\u003eThe King Dreams the King\u003c\/em\u003e\u003cbr\u003eCollage; laser-printed images and text on Japanese chiyogami decorative paper\u003cbr\u003eEdition: 1\/1\u003cbr\u003eSigned, in pencil, au verso\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWill Aitken is a Montreal artist and writer who works in collage using Japanese chiyogami decorative paper, laser-printed images and text. He is new to the medium and to art-making in general, having picked up his scissors in 2020. As a writer he has published four novels - \u003cem\u003eThe Swells\u003c\/em\u003e, \u003cem\u003eRealia\u003c\/em\u003e, \u003cem\u003eA Visit Home\u003c\/em\u003e and \u003cem\u003eTerre Haute\u003c\/em\u003e - and two non-fiction works - \u003cem\u003eAntigone Undone: Juliette Binoche, Anne Carson, Ivo van Hove and the Art of Resistance\u003c\/em\u003e and \u003cem\u003eDeath in Venice: A Queer Film Classic\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eDiscover Will Aitken's series, \u003ca rel=\"noopener\" title=\"link to the video collage, The King Dreams the King, by Will Aitken\" href=\"https:\/\/vimeo.com\/1031244834\" target=\"_blank\"\u003e\u003cem\u003eThe King Dreams the King\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eView \u003ca rel=\"noopener\" title=\"PIVOT, a video collage by Will Aitken\" href=\"https:\/\/vimeo.com\/1028520695\" target=\"_blank\"\u003e\u003cem\u003ePIVOT\u003c\/em\u003e\u003c\/a\u003e, a video collage created by Will Aitken describing his art practice.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"8.32 x 11 inch (21.13 x 27.94 cm)","offer_id":49957196398903,"sku":null,"price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/Aitken-3_r.jpg?v=1731964231"},{"product_id":"the-investiture-will-aitken","title":"The Investiture","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2023\u003cbr\u003eFrom the series \u003cem\u003eThe King Dreams the King\u003c\/em\u003e\u003cbr\u003eCollage; laser-printed images and text on Japanese chiyogami decorative paper\u003cbr\u003eEdition: 1\/1\u003cbr\u003eSigned, in pencil, au verso\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWill Aitken is a Montreal artist and writer who works in collage using Japanese chiyogami decorative paper, laser-printed images and text. He is new to the medium and to art-making in general, having picked up his scissors in 2020. As a writer he has published four novels - \u003cem\u003eThe Swells\u003c\/em\u003e, \u003cem\u003eRealia\u003c\/em\u003e, \u003cem\u003eA Visit Home\u003c\/em\u003e and \u003cem\u003eTerre Haute\u003c\/em\u003e - and two non-fiction works - \u003cem\u003eAntigone Undone: Juliette Binoche, Anne Carson, Ivo van Hove and the Art of Resistance\u003c\/em\u003e and \u003cem\u003eDeath in Venice: A Queer Film Classic\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eDiscover Will Aitken's series, \u003ca rel=\"noopener\" title=\"link to the video collage, The King Dreams the King, by Will Aitken\" href=\"https:\/\/vimeo.com\/1031244834\" target=\"_blank\"\u003e\u003cem\u003eThe King Dreams the King\u003c\/em\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eView \u003ca rel=\"noopener\" title=\"PIVOT, a video collage by Will Aitken\" href=\"https:\/\/vimeo.com\/1028520695\" target=\"_blank\"\u003e\u003cem\u003ePIVOT\u003c\/em\u003e\u003c\/a\u003e, a video collage created by Will Aitken describing his art practice.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"10.85 x 8.25 inch (27.55 x 10.95 cm)","offer_id":49957207310647,"sku":null,"price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/Aitken-8_r.jpg?v=1731964504"},{"product_id":"portrait-of-afe-redeemer","title":"Portrait of Afé - Redeemer","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2023\u003cbr\u003eDigital Print\u003cbr\u003eSigned and editioned, in ink, au recto\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003cp\u003eUniversal Edition of 5 + 1 AP\u003c\/p\u003e\n\u003cp\u003ePlease inquire if you are interested in purchasing this photograph in a larger or smaller size.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJanice Reid is an emerging artist based in Brampton, On.\u003c\/p\u003e\n\u003cp\u003eReid is a portrait photographer who received her diploma in creative photography from Humber College. Her photography focuses on the Black female subject, innovations in fashion, and the urban landscape. The artist explains, “I want my work to focus on telling the stories of the invisibility of Black women so that we can start to re-imagine and re-create our own narratives collectively.”\u003c\/p\u003e\n\u003cp\u003eJanice Reid’s colorful contemporary style has been shaped by a breadth of photographers and mixed media artists including Carrie Mae Weems, Lorraine O’Grady, and Oroma Elewa.\u003c\/p\u003e\n\u003cp\u003eFFOTO was introduced to Janice Reid’s photography through our partnership with \u003ca href=\"https:\/\/www.bandgallery.com\/\" title=\"BAND Gallery and Cultural Centre\" target=\"_blank\"\u003eBAND Gallery and Cultural Centre\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Janice_Reid.pdf?v=1598552184\" title=\"Artist Bio: Janice Reid\" target=\"_blank\"\u003eArtist Bio\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/spacing.ca\/toronto\/2018\/10\/03\/janice-reids-real-love-intersects-race-and-space\/\" title=\"Janice Reid’s “Real Love” intersects race and space\" target=\"_blank\"\u003eJanice Reid’s “Real Love” intersects race and space\u003c\/a\u003e, \u003cem\u003eSpacing Toronto\u003c\/em\u003e, October 3, 2018\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"20 x 16 inch (50.80 x 40.64 cm)","offer_id":51316326531383,"sku":null,"price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/PORTRAIT_OFAFE_redeemer.png?v=1762439297"},{"product_id":"lauren-in-their-grannys-yaad","title":"Lauren in Their Granny's Yaad","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2023\u003cbr\u003eDigital Print\u003cbr\u003eSigned and editioned, in ink, au recto\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003cp\u003eUniversal Edition of 5 + 1 AP\u003c\/p\u003e\n\u003cp\u003ePlease inquire if you are interested in purchasing this photograph in a larger or smaller size.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJanice Reid is an emerging artist based in Brampton, On.\u003c\/p\u003e\n\u003cp\u003eReid is a portrait photographer who received her diploma in creative photography from Humber College. Her photography focuses on the Black female subject, innovations in fashion, and the urban landscape. The artist explains, “I want my work to focus on telling the stories of the invisibility of Black women so that we can start to re-imagine and re-create our own narratives collectively.”\u003c\/p\u003e\n\u003cp\u003eJanice Reid’s colorful contemporary style has been shaped by a breadth of photographers and mixed media artists including Carrie Mae Weems, Lorraine O’Grady, and Oroma Elewa.\u003c\/p\u003e\n\u003cp\u003eFFOTO was introduced to Janice Reid’s photography through our partnership with \u003ca href=\"https:\/\/www.bandgallery.com\/\" title=\"BAND Gallery and Cultural Centre\" target=\"_blank\"\u003eBAND Gallery and Cultural Centre\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Janice_Reid.pdf?v=1598552184\" title=\"Artist Bio: Janice Reid\" target=\"_blank\"\u003eArtist Bio\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/spacing.ca\/toronto\/2018\/10\/03\/janice-reids-real-love-intersects-race-and-space\/\" title=\"Janice Reid’s “Real Love” intersects race and space\" target=\"_blank\"\u003eJanice Reid’s “Real Love” intersects race and space\u003c\/a\u003e, \u003cem\u003eSpacing Toronto\u003c\/em\u003e, October 3, 2018\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"20 x 16 inch (50.80 x 40.64 cm)","offer_id":51316341408055,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/LAUREN_IN_THEIR_GRANNY_S_YAAD.png?v=1762439580"},{"product_id":"cottage-from-polari-a-dictionary","title":"Cottage","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout Polari, a dictionary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2026\u003cbr\u003eFrom the series \u003cem\u003ePolari, a dictionary\u003c\/em\u003e\u003cbr\u003eSilver gelatin print, hand-embellished with text stamps and ink\u003cbr\u003eEditioned in ink, by artist, au verso\u003cbr\u003eEdition of 8 + 2 AP\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNeeko Paluzzi is a lens-based artist and educator working with images, text, and installation. Drawing on a background in linguistic pedagogy, he approaches art as an act of translation, developing intertextual projects that situate historical texts within contemporary frameworks. Influenced by Jorge Luis Borges, he understands translation as unstable and cumulative, where each iteration carries the conditions of its making. His projects often begin with an originating text — the Urtext — and its subsequent adaptations, treating these versions as coexisting rather than hierarchical. This approach resists linear authorship and colonial frameworks, aligning with queer theories of multiplicity and refusal of singular origin.\u003c\/p\u003e\n\u003cp\u003eHis practice moves between digital and analog processes, including collage, text-based composition, and darkroom techniques. These methods allow for layered acts of citation in which sources accumulate across time, sometimes spanning centuries. Authorship in his work is distributed: each reference becomes part of a network of interdependent ideas, foregrounding translation as a shared and ongoing process rather than a fixed outcome.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePolari is a queer-coded lexicon — variously described by scholars as a proto-language or linguistic styling — that emerged from Mediterranean ports, circuses, and theatrical cultures in the late eighteenth century. Drawing from Italian, French, Spanish, English, and Arabic, polari functioned as a system of verbal signifiers through which queer people identified kinship and signaled desire. Though limited to roughly one hundred words and lacking formal syntax, its adaptability allowed it to be embedded within multiple mother tongues, ensuring secrecy and mobility. Terms such as drag, butch, and trade persist today, evidencing its evolution from coded speech to cultural inheritance. These small photographs resemble language flash cards, compressing meaning into discrete, repeatable units that rely on recognition rather than explication. Lavender fingerprints operate as mark and signal, an index of contact and transmission referencing covert exchange between intergenerational queer people, extending polari’s logic into image and touch.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"4 x 5 inches (10.16 x 12.7 cm)","offer_id":52229435097399,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/POLARI_2026_COTTAGE_FRONT-1_8.jpg?v=1779978671"},{"product_id":"drag-from-polari-a-dictionary","title":"Drag","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout Polari, a dictionary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2026\u003cbr\u003eFrom the series \u003cem\u003ePolari, a dictionary\u003c\/em\u003e\u003cbr\u003eSilver gelatin print, hand-embellished with text stamps and ink\u003cbr\u003eEditioned in ink, by artist, au verso\u003cbr\u003eEdition of 8 + 2 AP\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNeeko Paluzzi is a lens-based artist and educator working with images, text, and installation. Drawing on a background in linguistic pedagogy, he approaches art as an act of translation, developing intertextual projects that situate historical texts within contemporary frameworks. Influenced by Jorge Luis Borges, he understands translation as unstable and cumulative, where each iteration carries the conditions of its making. His projects often begin with an originating text — the Urtext — and its subsequent adaptations, treating these versions as coexisting rather than hierarchical. This approach resists linear authorship and colonial frameworks, aligning with queer theories of multiplicity and refusal of singular origin.\u003c\/p\u003e\n\u003cp\u003eHis practice moves between digital and analog processes, including collage, text-based composition, and darkroom techniques. These methods allow for layered acts of citation in which sources accumulate across time, sometimes spanning centuries. Authorship in his work is distributed: each reference becomes part of a network of interdependent ideas, foregrounding translation as a shared and ongoing process rather than a fixed outcome.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePolari is a queer-coded lexicon — variously described by scholars as a proto-language or linguistic styling — that emerged from Mediterranean ports, circuses, and theatrical cultures in the late eighteenth century. Drawing from Italian, French, Spanish, English, and Arabic, polari functioned as a system of verbal signifiers through which queer people identified kinship and signaled desire. Though limited to roughly one hundred words and lacking formal syntax, its adaptability allowed it to be embedded within multiple mother tongues, ensuring secrecy and mobility. Terms such as drag, butch, and trade persist today, evidencing its evolution from coded speech to cultural inheritance. These small photographs resemble language flash cards, compressing meaning into discrete, repeatable units that rely on recognition rather than explication. Lavender fingerprints operate as mark and signal, an index of contact and transmission referencing covert exchange between intergenerational queer people, extending polari’s logic into image and touch.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"4 x 5 inches (10.16 x 12.7 cm)","offer_id":52229827297591,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/POLARI_2026_DRAG_FRONT_1_8.jpg?v=1779981936"},{"product_id":"fantabulosa-from-polari-a-dictionary","title":"Fantabulosa","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout Polari, a dictionary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2026\u003cbr\u003eFrom the series \u003cem\u003ePolari, a dictionary\u003c\/em\u003e\u003cbr\u003eSilver gelatin print, hand-embellished with text stamps and ink\u003cbr\u003eEditioned in ink, by artist, au verso\u003cbr\u003eEdition of 8 + 2 AP\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNeeko Paluzzi is a lens-based artist and educator working with images, text, and installation. Drawing on a background in linguistic pedagogy, he approaches art as an act of translation, developing intertextual projects that situate historical texts within contemporary frameworks. Influenced by Jorge Luis Borges, he understands translation as unstable and cumulative, where each iteration carries the conditions of its making. His projects often begin with an originating text — the Urtext — and its subsequent adaptations, treating these versions as coexisting rather than hierarchical. This approach resists linear authorship and colonial frameworks, aligning with queer theories of multiplicity and refusal of singular origin.\u003c\/p\u003e\n\u003cp\u003eHis practice moves between digital and analog processes, including collage, text-based composition, and darkroom techniques. These methods allow for layered acts of citation in which sources accumulate across time, sometimes spanning centuries. Authorship in his work is distributed: each reference becomes part of a network of interdependent ideas, foregrounding translation as a shared and ongoing process rather than a fixed outcome.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePolari is a queer-coded lexicon — variously described by scholars as a proto-language or linguistic styling — that emerged from Mediterranean ports, circuses, and theatrical cultures in the late eighteenth century. Drawing from Italian, French, Spanish, English, and Arabic, polari functioned as a system of verbal signifiers through which queer people identified kinship and signaled desire. Though limited to roughly one hundred words and lacking formal syntax, its adaptability allowed it to be embedded within multiple mother tongues, ensuring secrecy and mobility. Terms such as drag, butch, and trade persist today, evidencing its evolution from coded speech to cultural inheritance. These small photographs resemble language flash cards, compressing meaning into discrete, repeatable units that rely on recognition rather than explication. Lavender fingerprints operate as mark and signal, an index of contact and transmission referencing covert exchange between intergenerational queer people, extending polari’s logic into image and touch.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"4 x 5 inches (10.16 x 12.7 cm)","offer_id":52229836800311,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/POLARI_2026_FANTABULOSA_FRONT-1_8.jpg?v=1779982020"},{"product_id":"omi-from-polari-a-dictionary","title":"Omi","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout Polari, a dictionary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2026\u003cbr\u003eFrom the series \u003cem\u003ePolari, a dictionary\u003c\/em\u003e\u003cbr\u003eSilver gelatin print, hand-embellished with text stamps and ink\u003cbr\u003eEditioned in ink, by artist, au verso\u003cbr\u003eEdition of 8 + 2 AP\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNeeko Paluzzi is a lens-based artist and educator working with images, text, and installation. Drawing on a background in linguistic pedagogy, he approaches art as an act of translation, developing intertextual projects that situate historical texts within contemporary frameworks. Influenced by Jorge Luis Borges, he understands translation as unstable and cumulative, where each iteration carries the conditions of its making. His projects often begin with an originating text — the Urtext — and its subsequent adaptations, treating these versions as coexisting rather than hierarchical. This approach resists linear authorship and colonial frameworks, aligning with queer theories of multiplicity and refusal of singular origin.\u003c\/p\u003e\n\u003cp\u003eHis practice moves between digital and analog processes, including collage, text-based composition, and darkroom techniques. These methods allow for layered acts of citation in which sources accumulate across time, sometimes spanning centuries. Authorship in his work is distributed: each reference becomes part of a network of interdependent ideas, foregrounding translation as a shared and ongoing process rather than a fixed outcome.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePolari is a queer-coded lexicon — variously described by scholars as a proto-language or linguistic styling — that emerged from Mediterranean ports, circuses, and theatrical cultures in the late eighteenth century. Drawing from Italian, French, Spanish, English, and Arabic, polari functioned as a system of verbal signifiers through which queer people identified kinship and signaled desire. Though limited to roughly one hundred words and lacking formal syntax, its adaptability allowed it to be embedded within multiple mother tongues, ensuring secrecy and mobility. Terms such as drag, butch, and trade persist today, evidencing its evolution from coded speech to cultural inheritance. These small photographs resemble language flash cards, compressing meaning into discrete, repeatable units that rely on recognition rather than explication. Lavender fingerprints operate as mark and signal, an index of contact and transmission referencing covert exchange between intergenerational queer people, extending polari’s logic into image and touch.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"4 x 5 inches (10.16 x 12.7 cm)","offer_id":52229844828471,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/POLARI_2026_OMI_FRONT-1_8.jpg?v=1779982074"},{"product_id":"trade-from-polari-a-dictionary","title":"Trade","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout Polari, a dictionary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2026\u003cbr\u003eFrom the series \u003cem\u003ePolari, a dictionary\u003c\/em\u003e\u003cbr\u003eSilver gelatin print, hand-embellished with text stamps and ink\u003cbr\u003eEditioned in ink, by artist, au verso\u003cbr\u003eEdition of 8 + 2 AP\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNeeko Paluzzi is a lens-based artist and educator working with images, text, and installation. Drawing on a background in linguistic pedagogy, he approaches art as an act of translation, developing intertextual projects that situate historical texts within contemporary frameworks. Influenced by Jorge Luis Borges, he understands translation as unstable and cumulative, where each iteration carries the conditions of its making. His projects often begin with an originating text — the Urtext — and its subsequent adaptations, treating these versions as coexisting rather than hierarchical. This approach resists linear authorship and colonial frameworks, aligning with queer theories of multiplicity and refusal of singular origin.\u003c\/p\u003e\n\u003cp\u003eHis practice moves between digital and analog processes, including collage, text-based composition, and darkroom techniques. These methods allow for layered acts of citation in which sources accumulate across time, sometimes spanning centuries. Authorship in his work is distributed: each reference becomes part of a network of interdependent ideas, foregrounding translation as a shared and ongoing process rather than a fixed outcome.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePolari is a queer-coded lexicon — variously described by scholars as a proto-language or linguistic styling — that emerged from Mediterranean ports, circuses, and theatrical cultures in the late eighteenth century. Drawing from Italian, French, Spanish, English, and Arabic, polari functioned as a system of verbal signifiers through which queer people identified kinship and signaled desire. Though limited to roughly one hundred words and lacking formal syntax, its adaptability allowed it to be embedded within multiple mother tongues, ensuring secrecy and mobility. Terms such as drag, butch, and trade persist today, evidencing its evolution from coded speech to cultural inheritance. These small photographs resemble language flash cards, compressing meaning into discrete, repeatable units that rely on recognition rather than explication. Lavender fingerprints operate as mark and signal, an index of contact and transmission referencing covert exchange between intergenerational queer people, extending polari’s logic into image and touch.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"4 x 5 inches (10.16 x 12.7 cm)","offer_id":52229855805751,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/POLARI_2026_TRADE_FRONT_1_8.jpg?v=1779982129"},{"product_id":"vada-from-polari-a-dictionary","title":"Vada","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout Polari, a dictionary\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2026\u003cbr\u003eFrom the series \u003cem\u003ePolari, a dictionary\u003c\/em\u003e\u003cbr\u003eSilver gelatin print, hand-embellished with text stamps and ink\u003cbr\u003eEditioned in ink, by artist, au verso\u003cbr\u003eEdition of 8 + 2 AP\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNeeko Paluzzi is a lens-based artist and educator working with images, text, and installation. Drawing on a background in linguistic pedagogy, he approaches art as an act of translation, developing intertextual projects that situate historical texts within contemporary frameworks. Influenced by Jorge Luis Borges, he understands translation as unstable and cumulative, where each iteration carries the conditions of its making. His projects often begin with an originating text — the Urtext — and its subsequent adaptations, treating these versions as coexisting rather than hierarchical. This approach resists linear authorship and colonial frameworks, aligning with queer theories of multiplicity and refusal of singular origin.\u003c\/p\u003e\n\u003cp\u003eHis practice moves between digital and analog processes, including collage, text-based composition, and darkroom techniques. These methods allow for layered acts of citation in which sources accumulate across time, sometimes spanning centuries. Authorship in his work is distributed: each reference becomes part of a network of interdependent ideas, foregrounding translation as a shared and ongoing process rather than a fixed outcome.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePolari is a queer-coded lexicon — variously described by scholars as a proto-language or linguistic styling — that emerged from Mediterranean ports, circuses, and theatrical cultures in the late eighteenth century. Drawing from Italian, French, Spanish, English, and Arabic, polari functioned as a system of verbal signifiers through which queer people identified kinship and signaled desire. Though limited to roughly one hundred words and lacking formal syntax, its adaptability allowed it to be embedded within multiple mother tongues, ensuring secrecy and mobility. Terms such as drag, butch, and trade persist today, evidencing its evolution from coded speech to cultural inheritance. These small photographs resemble language flash cards, compressing meaning into discrete, repeatable units that rely on recognition rather than explication. Lavender fingerprints operate as mark and signal, an index of contact and transmission referencing covert exchange between intergenerational queer people, extending polari’s logic into image and touch.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"FFOTO","offers":[{"title":"4 x 5 inches (10.16 x 12.7 cm)","offer_id":52229860884791,"sku":null,"price":75.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/POLARI_2026_VADA_FRONT-1_8.jpg?v=1779982181"},{"product_id":"gymnasts","title":"[Gymnasts]","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003ecirca mid-20th Century\u003cbr\u003eSet of two gelatin silver prints\u003cbr\u003eRef# “03312” (left), “03313” (right)\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWhen an image’s photographer is unknown, the subject matter determines its significance as a collectible work of art. Interesting vernacular images without any historical significance are often described as “found photography”.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"Each 4 ½ x 3 inch (11.43 x 7.62 cm) image | Each 5 x 3 ½ inch (12.70 x 8.89 cm) paper","offer_id":52341454143799,"sku":"SBG-CLU-0025-C [SBG-PU-6-0036-C]","price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/gymnasts.jpg?v=1780510062"},{"product_id":"contact-sheet","title":"[Contact Sheet]","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003ecirca 1980\u003cbr\u003eGelatin silver prints\u003cbr\u003ePrinted circa 1980\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWhen an image’s photographer is unknown, the subject matter determines its significance as a collectible work of art. Interesting vernacular images without any historical significance are often described as “found photography”.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 ½ x 6 inch (21.59 x 15.24 cm)","offer_id":52341586362679,"sku":"SBG-CLU-0026-C [SBG-PU-6-0037-C]","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/contactsheet.jpg?v=1780511243"},{"product_id":"larry-kramer-and-molly","title":"Larry Kramer and Molly","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\u003cp\u003e1989\u003cbr\u003eArchival pigment print\u003cbr\u003eEstate stamp, au verso\u003cbr\u003ePrinted in 2024\u003cbr\u003eUnframed\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRobert Giard (1939 - 2002) was a portrait, landscape, and figure photographer who came relatively late to the practice of photography. A native of Hartford, Connecticut, he majored in English literature and received a B.A. from Yale (1961), then an M.A. in Comparative Literature from Boston University (1965). For a time he taught intermediate grades at the New Lincoln School. By 1972, he began to photograph, concentrating on landscapes of the South Fork of Long Island, portraits of friends, many of them artists and writers in the region, and the nude figure.\u003c\/p\u003e\n\u003cp\u003eIn 1974, Giard settled in Amagansett, Long Island, with his life partner, Jonathan Silin, an early childhood educator, where they remained for nearly thirty years until Giard’s death. In the beginning years of his career, Giard did much of his landscape photography during the late autumn, winter, and early spring when many of the fashionable houses of “The Hamptons” were boarded up for the season. The empty surrounding grounds assumed for him “a mysterious, even somewhat sinister air.” Similarly, his studies of the male and female nude tended less toward an idealizing rendering of form than a description of a specific person. Giard saw this as subsuming “the nude under the heading of the portrait ... they are pictures of people who are naked.”\u003c\/p\u003e\n\u003cp\u003eUltimately, it would be in the area of the formal portrait that Giard’s career made its most indelible mark. In 1985, after seeing a performance of Larry Kramer’s \u003cem\u003eThe Normal Heart\u003c\/em\u003e dealing with the crisis of AIDS, Giard set about documenting in straightforward, unadorned, yet sometimes witty and playful portraits, a wide survey of significant gay and lesbian literary lights. His portraits included such iconic figures as Edward Albee, Allen Ginsberg, and Adrienne Rich, as well as emerging novelists making their first mark, including Sapphire, David Leavitt, Shay Youngblood, and Michael Cunningham. A selection of these portraits, culled from the five hundred examples he had by then already amassed, was published by MIT Press in 1997 as the anthology \u003ca href=\"http:\/\/robertgiardfoundation.org\/particular-voices\" title=\"link to Particular Voices: Portraits of Gay and Lesbian Writers\" target=\"_blank\"\u003e\u003cem\u003eParticular Voices: Portraits of Gay and Lesbian Writers\u003c\/em\u003e\u003c\/a\u003e, which then served as the companion volume to the New York Public Library’s 1998 exhibition of the same name.\u003c\/p\u003e\n\u003cp\u003eAt the time of his death in July, 2002, just shy of his 63rd birthday, Giard was working on a portrait documentation of the three hundred twenty-one grant recipients from around the country of The Thanks Be To Grandmother Winifred Foundation, which until 2001 supported projects by women fifty-four years and older that benefited other mature women. Grants supported research and artistic projects, as well as efforts to alleviate social, economic, and medical problems for women in a given locality. Giard, traveling the country by train, bus, and plane (he never had a driver’s license) succeeded in photographing two hundred forty-one of the women grantees, and kept a journal of his travels and his many visits to a richly diverse group of American women in small towns and major cities.\u003c\/p\u003e\n\u003cp\u003eRobert Giard was the recipient of many grants and awards, and the published version of \u003cem\u003eParticular Voices\u003c\/em\u003e won a Lambda Literary Foundation Award for Best Photography\/Art Book in 1997. Giard had a long and distinguished solo and group exhibition career throughout the United States. Examples of his work are in collections of The Brooklyn Museum, the San Francisco Public Library, the New York Public Library, and the Library of Congress. Giard’s complete archive, including work books and ephemera, is now housed in the American Collection of the Beinecke Rare Book and Manuscript Library at Yale University.\u003c\/p\u003e\n\u003cp\u003eSource: \u003ca href=\"http:\/\/robertgiardfoundation.org\/\" title=\"link to The Robert Giard Foundation\" target=\"_blank\"\u003eThe Robert Giard Foundation\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"14 x 14 inch (35.56 x 35.56 cm) image | 17 x 22 inch (43.18 x 55.88 cm) paper","offer_id":52341663924535,"sku":"SBG-RGI-GLW-0074-C","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/larrykramerandmolly_e7dcfa08-edca-4832-bf31-b84b1da26852.jpg?v=1780512070"},{"product_id":"lakshmi","title":"Lakshmi","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1987\u003cbr\u003eChromogenic print\u003cbr\u003eFrom the series “Exiles”\n\u003cbr\u003eSigned, titled, and dated, in ink, au verso\u003cbr\u003e\nPrinted in 1999\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSunil Gupta is a photographer, artist, educator and curator currently enrolled in a doctoral programme at the University of Westminster. Educated at the Royal College of Art he has been involved with independent photography as a critical practice for many years focusing on race, migration and queer issues. In the 1980s, Gupta constructed documentary images of gay men in architectural spaces in Delhi, his “Exiles” series. The images and texts describe the conditions for gay men in India at the times. Gupta’s recent series “Mr. Malhotra’s Party” updates this theme during a time in which queer identities are more open and also reside in virtual space on the internet and in private parties. His early documentary series “Christopher Street, New York” was shot in the mid-1970s as Gupta studied under Lisette Model at the New School for Social Research and became interested in the idea of gay public space. \u003cbr\u003e\u003cbr\u003eGupta’s published work includes the monographs “queer: Sunil Gupta” (Prestel\/Vadehra Art Gallery, 2011), “Wish You Were Here: Memories of a Gay Life” (Yoda Press, New Delhi, 2008), and “Pictures From Here” (Chris Boot Ltd., New York, 2003). His latest show (with Charan Singh), “Dissent and Desire” (catalogue) is at Contemporary Arts Museum, Houston till April 29th and his last book, “Delhi: Communities of Belonging” was published by The New Press, New York 2016. His work has been seen in many important group shows including “Paris, Bombay, Delhi…” at the Pompidou Centre, Paris 2011 and is currently at Tate, Britain. He is Visiting Professor at UCA, Farnham, and Visiting Tutor at the Royal College of Art, London. He was Lead Curator for, “Where Three Dreams Cross: 150 Years of Photography from India, Pakistan and Bangladesh” at the Whitechapel Gallery, London and Fotomuseum Winterthur, Switzerland (2011). He is Lead Curator for the Houston Fotofest 2018. His work is many private and public collections including; George Eastman House (Rochester, USA), Tokyo Metropolitan Museum of Photography, Royal Ontario Museum, Tate, Harvard University and the Museum of Modern Art.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Sunil_Gupta.pdf?9016200459812402935\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Sunil Gupta - Artist CV\"\u003e\u003cspan\u003eArtist CV\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Sunil_Gupta.pdf?9016200459812402935\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Sunil Gupta - Artist Bio\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sunil_Gupta_Fotofest_2018.pdf?17996583185477959178\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sunil Gupta - Fotofest\"\u003e\u003cspan\u003eFotoFest Announces Theme, Dates and Lead Curator for 2018 Biennial\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e(PDF) - Fotofest, 2018\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sunil_Gupta_Vice_Nov_2016.pdf?17996583185477959178\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sunil Gupta - Vice\"\u003e\u003cspan\u003eDocumenting the Secret Lives of India's LGBTQ Youth\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF) - Vice, November 2016\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sunil_Gupta_Better_Photography_March_2016.pdf?17996583185477959178\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sunil Gupta - Better Photography\"\u003e\u003cspan\u003eSunil Gupta\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF) - Better Photography, March 2016\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sunil_Gupta_DONARTNEWS_Dec_2015.pdf?17996583185477959178\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sunil Gupta - DONARTNEWS\"\u003e\u003cspan\u003eSunil Gupta\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF) - DONARTNEWS, December 2015\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sunil_Gupta_Culture_Map_Houston_2015.pdf?17996583185477959178\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sunil Gupta - Culture Map\"\u003e\u003cspan\u003eFotoFest's \u003cem\u003eI Am A Camera\u003c\/em\u003e highlights unforgettable photographs of LGBTQ communities around the world\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF) - Culture Map Houston, 2015\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sunil_Gupta_LOeildelaPhotographie_Dec_2014.pdf?17996583185477959178\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sunil Gupta - L'Oeil de la Photographie\"\u003e\u003cspan\u003eSunil Gupta: Out and About: New-York and New-Delhi\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF) - L'Oeil de la Photographie, December 2014\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sunil_Gupta_PhosMag_Nov_2014.pdf?17996583185477959178\" title=\"FFOTO - Press - Sunil Gupta - PhosMag\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eSunil Gupta at sepiaEYE - NYC\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/a\u003e(PDF) - PhosMag, November 2014\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sunil_Gupta_Photograph_Nov_2014.pdf?17996583185477959178\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sunil Gupta - Photograph\"\u003e\u003cspan\u003eSunil Gupta: Out and About: New York and New Delhi\u003c\/span\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF) - Photograph, November 2014\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sunil_Gupta_MuseeMag_Nov_2014.pdf?17996583185477959178\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sunil Gupta - Musee\"\u003eSunil Gupta. Out and About: New York and New Delhi at Sepia Eye Gallery\u003c\/a\u003e \u003c\/span\u003e(PDF) - Musée, November 2014\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sunil_Gupta_Tehelka_March_2012.pdf?17996583185477959178\" title=\"FFOTO - Press - Sunil Gupta - Tehelka\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eLike racism, homophobia works in invisible ways\u003c\/a\u003e \u003c\/span\u003e(PDF) - Tehelka, March 2012\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"23 x 15 inch (58.42 x 38.10 cm)","offer_id":52341718122807,"sku":"SBG-SG-E-0001-C","price":20000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/Lakshmi_b36acb43-6b95-4fbb-af94-e83125470d9f.jpg?v=1780512465"},{"product_id":"skeleton-dreams-new-york","title":"Skeleton Dreams, New York","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003ecirca 1970\u003cbr\u003eGelatin silver print flush mounted to period board\u003cbr\u003eFrom the series “Dream Collector”\n\u003cbr\u003eSigned, titled, and annotated, with artist stamp, in ink, au mount verso\u003cbr\u003e\nPrinted circa 1970\n\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e(b. 1940, New York City, USA)\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn, New York, on November 24, 1940, Arthur Tress began taking photographs as a teenager in Coney Island, where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mainly in Asia and Africa, he developed an interest in ethnographical photography that led to his first professional assignment as a U.S. government photographer recording endangered folk cultures of Appalachia.\u003c\/p\u003e\n\u003cp\u003eSeeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children’s dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach.\u003c\/p\u003e\n\u003cp\u003eBeginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York’s Welfare Island. This led to a smaller scale exploration of narrative still life within a children’s toy theater and a portable nineteenth-century aquarium.\u003c\/p\u003e\n\u003cp\u003eAround 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist’s sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"7 ½ x 7 ⅜ inch (19.05 x 19.37 cm)","offer_id":52341748072759,"sku":"SBG-ATR-0013-C","price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/SkeletonDreams_NewYork.jpg?v=1780513066"},{"product_id":"security-guard-hoboken-new-jersey","title":"Security Guard, Hoboken, New Jersey","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1972\u003cbr\u003eGelatin silver print \u003cbr\u003eFrom the series \"Theater of the Mind\"\u003cbr\u003e\nSigned and titled, in ink, au verso\u003cbr\u003e\nPrinted in 1972\n\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e(b. 1940, New York City, USA)\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn, New York, on November 24, 1940, Arthur Tress began taking photographs as a teenager in Coney Island, where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mainly in Asia and Africa, he developed an interest in ethnographical photography that led to his first professional assignment as a U.S. government photographer recording endangered folk cultures of Appalachia.\u003c\/p\u003e\n\u003cp\u003eSeeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children’s dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach.\u003c\/p\u003e\n\u003cp\u003eBeginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York’s Welfare Island. This led to a smaller scale exploration of narrative still life within a children’s toy theater and a portable nineteenth-century aquarium.\u003c\/p\u003e\n\u003cp\u003eAround 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist’s sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"7 ½ x 7 ½ inch (19.05 x 19.05 cm) image | 8 ⅛ x 8 inch (20.32 x 20.32 cm) paper","offer_id":52341804171575,"sku":"SBG-ATR-0053-C","price":7500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/SecurityGuard_Hoboken_NewJersey.jpg?v=1780513879"},{"product_id":"two-brothers-newark-new-jersey","title":"Two Brothers, Newark, New Jersey","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1969\u003cbr\u003eGelatin silver print\u003cbr\u003eFrom the series \"Open Space\"\u003cbr\u003e\nSigned, titled, and dated, in ink, au verso\u003cbr\u003e\nPrinted in 1969\n\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e(b. 1940, New York City, USA)\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn, New York, on November 24, 1940, Arthur Tress began taking photographs as a teenager in Coney Island, where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mainly in Asia and Africa, he developed an interest in ethnographical photography that led to his first professional assignment as a U.S. government photographer recording endangered folk cultures of Appalachia.\u003c\/p\u003e\n\u003cp\u003eSeeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children’s dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach.\u003c\/p\u003e\n\u003cp\u003eBeginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York’s Welfare Island. This led to a smaller scale exploration of narrative still life within a children’s toy theater and a portable nineteenth-century aquarium.\u003c\/p\u003e\n\u003cp\u003eAround 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist’s sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"9 ⅝ x 7 ⅝ inch (24.45 x 19.37 cm) image | 8 x 10 inch (20.32 x 25.40 cm) paper","offer_id":52341810397495,"sku":"SBG-ATR-0058-C","price":8500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/TwoBrothers_Newark_NewJersey.jpg?v=1780514258"},{"product_id":"lovers-on-the-roof-of-the-municipal-building-new-york","title":"Lovers on the Roof of the Municipal Building, New York","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1978\u003cbr\u003eGelatin silver print\u003cbr\u003eFrom the series \"Facing Up\"\u003cbr\u003e\nSigned and titled, in ink, au recto\u003cbr\u003e\nAnnotated \"Faces\", with artist stamp, in ink, annotated, in pencil, au verso\u003cbr\u003e\nPrinted in 1978\n\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e(b. 1940, New York City, USA)\u003c\/p\u003e\n\u003cp\u003eBorn in Brooklyn, New York, on November 24, 1940, Arthur Tress began taking photographs as a teenager in Coney Island, where he spent hours exploring the decaying amusement parks. Later, during five years of world travel, mainly in Asia and Africa, he developed an interest in ethnographical photography that led to his first professional assignment as a U.S. government photographer recording endangered folk cultures of Appalachia.\u003c\/p\u003e\n\u003cp\u003eSeeing the destructive results of corporate resource extraction, Tress began to use his camera to raise environmental awareness about the economic and human costs of pollution. Focusing on New York City, he began to photograph the neglected fringes of the urban waterfront with a straight documentary approach. This gradually evolved into a more personal mode of “magic realism” combining improvised elements of actual life with stage fantasy that became his hallmark style of directorial fabrication. In the late 1960s Tress was inspired to do a series based upon children’s dreams that combined his interests in ritual ceremony, Jungian archetypes, and social allegory. Later bodies of work dealing with the hidden dramas of adult relationships and the reenactments of male homosexual desire evolved from this primarily theatrical approach.\u003c\/p\u003e\n\u003cp\u003eBeginning in the early 1980s, Tress began shooting in color, creating room-sized painted sculptural installations out of found medical equipment in an abandoned hospital on New York’s Welfare Island. This led to a smaller scale exploration of narrative still life within a children’s toy theater and a portable nineteenth-century aquarium.\u003c\/p\u003e\n\u003cp\u003eAround 2002, Tress returned to gelatin silver, exploring more formalist themes in the style of mid- century modernism, often combining a spontaneous shooting style with a constructivist’s sense of architectural composition and abstract shape. In addition to images of California skateboard parks, his recent work includes the round images of the series Planets and the diamond-shaped images of Pointers.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"7 ½ x 7 ½ inch (19.05 x 19.05 cm) image | 9 ⅞ x 7 ⅞ inch (25.08 x 20.00 cm) paper","offer_id":52341815476535,"sku":"SBG-ATR-0217-C","price":6500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/LoversontheRoofoftheMunicipalBuilding_NewYork.jpg?v=1780514456"},{"product_id":"untitled-attila-richard-lukacs","title":"Untitled","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1990\u003cbr\u003eSet of four Polaroids tipped to board\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAttila Richard Lukacs was born in Calgary, Alberta, in 1962. He attended the Emily Carr College of Art and graduated with Honours in 1985. He subsequently moved to Berlin where he worked as an artist for ten years before moving to New York and then Hawaii. He now resides in Vancouver, BC.\u003c\/p\u003e\n\u003cp\u003e\n\nHe is known for his work with oil paint, tar, feathers, and gold leaf, and his subject matter often includes nude and semi-nude skinheads, homosexuality, sadomasochism, and fascistic symbolism. \u003c\/p\u003e\n\u003cp\u003eLukacs regularly uses a Polaroid camera as part of his artistic process, using his friends and acquaintances in Berlin, New York, Vancouver and elsewhere as models; taking advantage of the Polaroid's unique characteristics, his painterly sensibility is evident in the rich hues and romantic sensuality of these photographs, which are strikingly similar to the paintings that resulted from them.\u003c\/p\u003e\n\u003cp\u003e \n\nHis work is in the public collections of the Beaverbrook Art Gallery, Vancouver Art Gallery, Art Gallery of Greater Victoria, Edmonton Art Gallery, Oakville Galleries, Art Gallery of Ontario, National Gallery of Canada, Canada Council Art Bank, Museum London, Museum van Hedendaage Kunst, Musée d’art contemporain de Montréal and in many private collections.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 8 inch (20.32 x 20.32 cm)","offer_id":52341820817719,"sku":"SBG-ARL-0001-C","price":5800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/UntitledARL.jpg?v=1780515200"},{"product_id":"stephan-attila-richard-lukacs","title":"Stephan","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1991\u003cbr\u003eSet of twelve Polaroids tipped to board\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAttila Richard Lukacs was born in Calgary, Alberta, in 1962. He attended the Emily Carr College of Art and graduated with Honours in 1985. He subsequently moved to Berlin where he worked as an artist for ten years before moving to New York and then Hawaii. He now resides in Vancouver, BC.\u003c\/p\u003e\n\u003cp\u003e\n\nHe is known for his work with oil paint, tar, feathers, and gold leaf, and his subject matter often includes nude and semi-nude skinheads, homosexuality, sadomasochism, and fascistic symbolism. \u003c\/p\u003e\n\u003cp\u003eLukacs regularly uses a Polaroid camera as part of his artistic process, using his friends and acquaintances in Berlin, New York, Vancouver and elsewhere as models; taking advantage of the Polaroid's unique characteristics, his painterly sensibility is evident in the rich hues and romantic sensuality of these photographs, which are strikingly similar to the paintings that resulted from them.\u003c\/p\u003e\n\u003cp\u003e \n\nHis work is in the public collections of the Beaverbrook Art Gallery, Vancouver Art Gallery, Art Gallery of Greater Victoria, Edmonton Art Gallery, Oakville Galleries, Art Gallery of Ontario, National Gallery of Canada, Canada Council Art Bank, Museum London, Museum van Hedendaage Kunst, Musée d’art contemporain de Montréal and in many private collections.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"16 x 12 inch (40.64 x 30.48 cm)","offer_id":52341852668215,"sku":"SBG-ARL-0002-C","price":5800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/Stephan.jpg?v=1780515678"},{"product_id":"untitled-2-attila-richard-lukacs","title":"Untitled","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1990\u003cbr\u003eSet of four Polaroids tipped to board\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAttila Richard Lukacs was born in Calgary, Alberta, in 1962. He attended the Emily Carr College of Art and graduated with Honours in 1985. He subsequently moved to Berlin where he worked as an artist for ten years before moving to New York and then Hawaii. He now resides in Vancouver, BC.\u003c\/p\u003e\n\u003cp\u003e\n\nHe is known for his work with oil paint, tar, feathers, and gold leaf, and his subject matter often includes nude and semi-nude skinheads, homosexuality, sadomasochism, and fascistic symbolism. \u003c\/p\u003e\n\u003cp\u003eLukacs regularly uses a Polaroid camera as part of his artistic process, using his friends and acquaintances in Berlin, New York, Vancouver and elsewhere as models; taking advantage of the Polaroid's unique characteristics, his painterly sensibility is evident in the rich hues and romantic sensuality of these photographs, which are strikingly similar to the paintings that resulted from them.\u003c\/p\u003e\n\u003cp\u003e \n\nHis work is in the public collections of the Beaverbrook Art Gallery, Vancouver Art Gallery, Art Gallery of Greater Victoria, Edmonton Art Gallery, Oakville Galleries, Art Gallery of Ontario, National Gallery of Canada, Canada Council Art Bank, Museum London, Museum van Hedendaage Kunst, Musée d’art contemporain de Montréal and in many private collections.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 8 inch (20.32 x 20.32 cm)","offer_id":52341868888375,"sku":"SBG-ARL-0003-C","price":5800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/untitled2ARL.jpg?v=1780516037"},{"product_id":"polaroids-attila-richard-lukacs","title":"Polaroids","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1998\u003cbr\u003eSet of twelve Polaroids tipped to board\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAttila Richard Lukacs was born in Calgary, Alberta, in 1962. He attended the Emily Carr College of Art and graduated with Honours in 1985. He subsequently moved to Berlin where he worked as an artist for ten years before moving to New York and then Hawaii. He now resides in Vancouver, BC.\u003c\/p\u003e\n\u003cp\u003e\n\nHe is known for his work with oil paint, tar, feathers, and gold leaf, and his subject matter often includes nude and semi-nude skinheads, homosexuality, sadomasochism, and fascistic symbolism. \u003c\/p\u003e\n\u003cp\u003eLukacs regularly uses a Polaroid camera as part of his artistic process, using his friends and acquaintances in Berlin, New York, Vancouver and elsewhere as models; taking advantage of the Polaroid's unique characteristics, his painterly sensibility is evident in the rich hues and romantic sensuality of these photographs, which are strikingly similar to the paintings that resulted from them.\u003c\/p\u003e\n\u003cp\u003e \n\nHis work is in the public collections of the Beaverbrook Art Gallery, Vancouver Art Gallery, Art Gallery of Greater Victoria, Edmonton Art Gallery, Oakville Galleries, Art Gallery of Ontario, National Gallery of Canada, Canada Council Art Bank, Museum London, Museum van Hedendaage Kunst, Musée d’art contemporain de Montréal and in many private collections.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"16 x 12 inch (40.64 x 30.48 cm)","offer_id":52341873770807,"sku":"SBG-ARL-0004-C","price":5800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/polaroidsARL.jpg?v=1780516197"},{"product_id":"a-man-in-his-whities-underwear-fashion-shoot","title":"A Man in His \"Whities\" [Underwear Fashion Shoot]","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003ecirca 1960\u003cbr\u003eSet of 7 Gelatin silver prints, contact prints\u003cbr\u003ePrinted circa 1960\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003cp\u003eIndividual print dimensions:\u003cbr\u003eA: 2 ¾ x 2 ¼ inch (6.98 x 5.71 cm) image\u003cbr\u003eB: 3 ⅞ x 2 inch (9.84 x 5.08 cm) image\u003cbr\u003eC: 3 ¼ x 2 inch (8.26 x 5.08 cm) image\u003cbr\u003eD: 3 ¼ x 2 ¼ inch (8.26 x 5.71 cm) image\u003cbr\u003eE: 3 ¼ x 2 ¼ inch (8.26 x 5.71 cm) image\u003cbr\u003eF: 2 ⅞ x 2 ⅛ inch (7.30 x 5.39 cm) image\u003cbr\u003eG: 3 ¼ x 2 inch (8.26 x 5.08 cm) image\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWhen an image’s photographer is unknown, the subject matter determines its significance as a collectible work of art. 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Interesting vernacular images without any historical significance are often described as “found photography”.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"Each: 3 ⅛ x 3 inch (7.94 x 7.62 cm) image | 4 ¼ x 3 ½ inch (10.79 x 8.89 cm) paper","offer_id":52351618285879,"sku":"SBG-CLU-0061-C","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/wilddrag.jpg?v=1780665668"},{"product_id":"drag-party-2-london-ontario","title":"Drag Party #2 [London, Ontario]","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1960-1965\u003cbr\u003eSet of 4 Chromogenic prints\u003cbr\u003ePrinted 1960-1965\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003cp\u003eIndividual print annotations:\u003cbr\u003eA: [no inscription]\u003cbr\u003e \nB: stamped, KODACOLOR PRINT, MADE BY KODAK LTD., DEC. 1965, in ink, au verso\u003cbr\u003e\nC: printed: A331, in ink, au verso\u003cbr\u003e\nD: stamped,  Kodacolor Print, made by KODAK LIMITED LONDON, JUNE 1960, in ink; annotated, CaS (2), in pencil, au verso\n\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWhen an image’s photographer is unknown, the subject matter determines its significance as a collectible work of art. Interesting vernacular images without any historical significance are often described as “found photography”.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"Each: 3 ⅛ x 3 ⅛ inch (7.93 x7.93 cm) image | 3 ½ x 3 ½ inch (8.89 x 8.89 cm) paper","offer_id":52351666946359,"sku":"SBG-CLU-0060-C","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/4chromogenicprintsII.jpg?v=1780666838"},{"product_id":"ice-tongs-new-york-city","title":"Ice Tongs, New York City","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1945\u003cbr\u003eGelatin silver print, ferrotyped\u003cbr\u003eAnnotated, titled, dated, in pencil and ink; stamped, credit, in ink, au verso\n \u003cbr\u003ePrinted 1945\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWhen an image’s photographer is unknown, the subject matter determines its significance as a collectible work of art. Interesting vernacular images without any historical significance are often described as “found photography”.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"7 ¾  x 8 ¾ inch (19.69 x 22.23 cm) image","offer_id":52351750603063,"sku":"SBG-CLU-0057-C","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/Icetongs.jpg?v=1780667476"},{"product_id":"pierre-the-french-maid","title":"Pierre, The French Maid","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003ecirca 1935\u003cbr\u003eGelatin silver print, contact print\n \u003cbr\u003ePrinted 1935\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWhen an image’s photographer is unknown, the subject matter determines its significance as a collectible work of art. Interesting vernacular images without any historical significance are often described as “found photography”.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"7 x 5 inch (17.78 x 12.70 cm) image","offer_id":52351768658231,"sku":"SBG-CLU-0056-C","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/pierrethefrenchmaid.jpg?v=1780667749"},{"product_id":"chinese-dockworker-san-francisco-ca","title":"Chinese Dockworker [San Francisco, CA]","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003ecirca 1955\u003cbr\u003eGelatin silver print, on period board  \n \u003cbr\u003ePrinted circa 1955\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWhen an image’s photographer is unknown, the subject matter determines its significance as a collectible work of art. Interesting vernacular images without any historical significance are often described as “found photography”.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 ⅝ x 9 ½ inch (16.83 x 24.13 cm) image | 10 x 13 inch (25.40 x 33.02 cm) mount","offer_id":52351815287095,"sku":"SBG-CLU-0054-C","price":280.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/chinesedockworker.jpg?v=1780669423"},{"product_id":"male-model-and-the-drapes","title":"Male Model and the Drapes","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003ecirca 1970\u003cbr\u003eGelatin silver print  \n \u003cbr\u003ePrinted circa 1970\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWhen an image’s photographer is unknown, the subject matter determines its significance as a collectible work of art. Interesting vernacular images without any historical significance are often described as “found photography”.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"9 ½ x 7 ½ inch (23.50 x19.05 cm) image | 10 x 8 inch (25.40 x 20.32 cm) paper","offer_id":52351838191927,"sku":"SBG-CLU-0053-C","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/malemodelandthedrapes.jpg?v=1780669658"},{"product_id":"another-cloudy-morning-three-men","title":"Another Cloudy Morning  [Three Men]","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003ecirca 1906\u003cbr\u003eCarte Postale\u003cbr\u003eAnnotated, notes, in ink, au recto; postcard template, with name and address, in ink; stamp adhered, au verso\u003cbr\u003ePrinted circa 1906\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWhen an image’s photographer is unknown, the subject matter determines its significance as a collectible work of art. Interesting vernacular images without any historical significance are often described as “found photography”.\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"3 ½ x 4 ¾ inch (8.89 x 12.07 cm) image | 3 ½ x 5 ½ inch (8.89 x 13.97 cm) paper","offer_id":52351857295671,"sku":"SBG-CLU-0049-C","price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/Anothercloudymorningthreemen.jpg?v=1780670086"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/collections\/POLARI_2026_DRAG_FRONT_1_8.jpg?v=1780514758","url":"https:\/\/ffoto.com\/collections\/pride-2026-an-online-and-in-person-exhibition.oembed?page=2","provider":"FFOTO","version":"1.0","type":"link"}