{"title":"Photos under US$750 HOMEPAGE","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv\u003eMake the leap from art admirer to art collector. Start with this growing selection of museum-quality photographs all priced under US$750. Arrange to pay in installments by contacting us at \u003ca href=\"mailto:info@ffoto.com\"\u003einfo@FFOTO.com\u003c\/a\u003e.\u003c\/div\u003e","products":[{"product_id":"lewisonstatiumtraviataalexanderartway","title":"Lewison Statium (Traviata)","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e12991\u003cbr\u003eGelatin silver print\u003cbr\u003ePrinted circa 1935\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAlexander Artemiev was born March 25, 1903 in Gomel, Belarus, Russia. He was the youngest child of nine children. His prosperous family educated him in the gymnasium (prep school) where his older brother was the principal. Russia was in great turmoil in 1917, and Alexander, as well as so many others, was caught up in these changing times. He fought as a young teenager in the White Army. He said he liked the uniform and had to do this for his family’s land and property. In the army he was wounded in his left leg, which gave him trouble all his later life. He fled and went into exile for many years in Europe (Belgrade, Prague, Paris), until he was able to enter America. He arrived at Ellis Island in June of 1922 under the name Alexander Artway.\u003c\/p\u003e\n\u003cp\u003eFor the next 18 years Artway remained in New York City. He had to learn a new life; adjusting from living on a sprawling Russian farm to very close urban quarters. He worked more with his hands than with his mind, since his European degrees were meaningless in the United States. Away from all family but his brother John (Sergei), Alexander had to seek out new connections. He found Lena, a woman whose family was still in Ukraine. The two explored the city together and carried on an affair that lasted many years.\u003c\/p\u003e\n\u003cp\u003eFrom his photographs it appears he was both excited and lonely. From his letters we can see that he was very attached to his mother and family back home. In fact, he returned to Russia in 1936 and ’37 to see them, a very risky business. The photographs from this trip to Gomel are touched by a tenderness and nostalgia found nowhere else in his work; they paint a picture of a man returning to his true roots. Even though he is pictured in these photographs in his New York City fine suits and hats, hair-­‐line receding, one can spot a little boy’s grin in the photographs of Alex and his mother.\u003c\/p\u003e\n\u003cp\u003eIn New York, Artway was very fascinated by the skyscrapers going up. He recorded these buildings from every angle and rooftop, and perhaps even from airplanes. He attended and taught at NYU, taking a degree in architecture in 1934.\u003c\/p\u003e\n\u003cp\u003eBefore going to NYU (with the aid of an organization called the Russian Student Fund) he joined the Merchant Marines. He later became a captain of ships and sailed around the world taking pictures of the foreign lands he visited. There are many beautiful studies of skies, clouds, and the ocean. (It appears he may have studied Stieglitz, Abbott, etc.) He saw much more of the world than the average person of these times and led an unconventional life.\u003c\/p\u003e\n\u003cp\u003eHe documented New York City life yet avoided photographing people he did not know. He recorded city streets, friends, his love life, animals, churches, and of course, architecture. His eye was unique, and his negatives are marked by a modernist aesthetic with a touch of pictorialist romanticism. He photographed nearly compulsively for about 15 years and only slowed down after the birth of his first child. In Philadelphia he became a true family man, and the photographs after 1942 are reflective of Artway’s new identity.\u003c\/p\u003e\n\u003cp\u003eIt seems unlikely Artway could have imagined the form which his photographs now take. For him, they were a record of his life, of the compositions he saw around him, of a life well-­‐lived. Now they form the Alexander Artway Archive made up of 4,000 negatives and 3,000 prints all neatly organized in plastic sleeves and black boxes. These are his legacy to his daughter Jeanette. The photographs from Russia, the portraits of his family and friends have become her heritage and her link to a family she’s never known. Now, as we begin to share these images with the public, we hope the photographs will become the heritage of many others. They tell the story of the trials and triumphs of an adventurous immigrant forging a life in America.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eArtway’s vintage prints have recently been organized by his daughter and have been shown successfully at art fairs in Los Angeles as well as in New York City.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"3 x 4 ½ inch (7.62 x 11.43 cm) image | 3 ½ x 4 ¾ inch (8.89 x 12.07 cm) paper","offer_id":12975908388929,"sku":"SBG-AAR-0003-CF","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/324ab746181abb62662023a9564662bbj.jpg?v=1533136196"},{"product_id":"readingthereviewsgerrydeiter","title":"Reading the Reviews","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout this Photograph\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1969\u003cbr\u003eGelatin silver print\u003cbr\u003eSigned by Joan Athey, titled, dated, and editioned, in ink, au verso \u003cbr\u003ePrinted in 2009\u003cbr\u003eEdition of 100 (#2\/100)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBorn in Brooklyn, Gerry Deiter (1934-2005) began taking photographs of the city at a very early age. Surrounded by art and fashion during his teens, he was often in the company of famous New York fashion and commercial photographers. Soon he regularly had fashion spreads in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWomen’s Wear Daily\u003c\/em\u003eand his work was on the cover of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHarper’s Bazaar\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emagazine. He was asked to teach at the famous Pratt Institute. He also photographed the jazz scene in New York and shot the first two album covers for Frank Zappa. In the 1960s, Deiter became involved in the anti-Vietnam war movement where he documented numerous protests. In 1968, he moved to Canada, where he settled in Montréal and continued to work as a photojournalist featured in publications such as \u003cem\u003eTime Magazine\u003c\/em\u003e and \u003cem\u003eLIFE\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eIn 1969, Deiter was assigned by \u003cem\u003eLIFE\u003c\/em\u003e magazine to photograph John Lennon and Yoko Ono at Montréal’s Queen Elizabeth Hotel during their protest against America’s involvement in the Vietnam War. He captured hundreds of images of the couple, in public and behind the scenes, as celebrities and visitors poured through the room. It was during this protest that Lennon wrote the song “Give Peace A Chance”, which he then recorded spontaneously with an unlikely crowd who just happened to be there at the time. Despite the media attention that the event received, Deiter’s photographs were never published in \u003cem\u003eLIFE\u003c\/em\u003e; the story was bumped in favour of another piece about the war. Instead, the photographs were filed away for 30 years, until 2001, when the events on September 11 inspired Deiter to try to rekindle the couple’s message of peace, love, and compassion.\u003cbr\u003e\u003cbr\u003eThese images eloquently captured the spirituality and the idealism that lay behind the media event. In 2005, Gerry Deiter wrote “Being present at the birth of that powerful anthem to peace had a special significance to me, helping me to embark on a new life, both professionally and spiritually. It was a time for revolution, of social and political upheaval that, like the words and music of “Give Peace a Chance”, echoes down through the decades and inspires us today to bring peace, compassion and justice to the world.”\u2028\u2028By 1970, Deiter had moved to the West Coast where he became the first photographer to sail with the Greenpeace Too to protest nuclear testing on Amchitka Island. He was the founding editor of the newspaper,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePrince Rupert This Week\u003c\/em\u003e, and continued his news work as a contributing editor to the online news site,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePeace, Earth \u0026amp; Justice News\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIn 1969, Deiter was assigned by \u003cem\u003eLIFE\u003c\/em\u003e magazine to photograph John Lennon and Yoko Ono at Montréal’s Queen Elizabeth Hotel during their “Bed-In” protest against America’s involvement in the Vietnam War. He captured hundreds of images of the couple, in public and behind the scenes, as celebrities and visitors poured through the room. The photographs are remarkable for the intimacy portrayed by Lennon and Ono, who felt comfortable with Deiter thanks to the photographer’s long-standing friendship with Ono, which predated her meeting the Beatle.\u003cbr\u003e\u003cbr\u003eIt was during this protest that Lennon wrote the song “Give Peace A Chance”, which he then recorded spontaneously with an unlikely crowd who just happened to be there at the time. Despite the media attention that the event received, Deiter’s photographs were never published in \u003cem\u003eLIFE\u003c\/em\u003e; the story was bumped in favour of another piece about the war. Instead, the photographs were filed away for 30 years, until 2001, when the events on September 11 inspired Deiter to try to rekindle the couple’s message of peace, love, and compassion.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/ffotoimage.com\/wp-content\/uploads\/2017\/12\/fFOTOIMAGE_Bio_Gerry-Deiter.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/ffotoimage.com\/wp-content\/uploads\/2017\/12\/fFOTOIMAGE_Gerry-Deiter_Toronto-Star_pE4_May-16th-2009.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGive Peace a Chance\u003c\/a\u003e (PDF) - Toronto Star, May 2009\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/ffotoimage.com\/wp-content\/uploads\/2017\/12\/fFOTOIMAGE_Gerry-Deiter_Stephen-Bulger-Gallery-Press-Release.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGive Peace a Chance Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, 2009\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"16 x 20 inch (40.64 x 50.8 cm)","offer_id":13006223441985,"sku":"SBG-GD-0003-CF","price":640.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/e3e1d5032527807d2daebabee474b4b5j_06c6413a-61ba-49a3-b81f-81967b23b2dd.jpg?v=1533231660"},{"product_id":"yokostimeoutgerrydeiter","title":"Yoko's Time Out","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout this Photograph\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1969\u003cbr\u003eChromogenic print\u003cbr\u003eSigned by Joan Athey, titled, dated, and edtioned, in ink, au verso \u003cbr\u003ePrinted in 2009\u003cbr\u003eEdition of 100 (#2\/100)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBorn in Brooklyn, Gerry Deiter (1934-2005) began taking photographs of the city at a very early age. Surrounded by art and fashion during his teens, he was often in the company of famous New York fashion and commercial photographers. Soon he regularly had fashion spreads in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWomen’s Wear Daily\u003c\/em\u003eand his work was on the cover of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHarper’s Bazaar\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emagazine. He was asked to teach at the famous Pratt Institute. He also photographed the jazz scene in New York and shot the first two album covers for Frank Zappa. In the 1960s, Deiter became involved in the anti-Vietnam war movement where he documented numerous protests. In 1968, he moved to Canada, where he settled in Montréal and continued to work as a photojournalist featured in publications such as \u003cem\u003eTime Magazine\u003c\/em\u003e and \u003cem\u003eLIFE\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eIn 1969, Deiter was assigned by \u003cem\u003eLIFE\u003c\/em\u003e magazine to photograph John Lennon and Yoko Ono at Montréal’s Queen Elizabeth Hotel during their protest against America’s involvement in the Vietnam War. He captured hundreds of images of the couple, in public and behind the scenes, as celebrities and visitors poured through the room. It was during this protest that Lennon wrote the song “Give Peace A Chance”, which he then recorded spontaneously with an unlikely crowd who just happened to be there at the time. Despite the media attention that the event received, Deiter’s photographs were never published in \u003cem\u003eLIFE\u003c\/em\u003e; the story was bumped in favour of another piece about the war. Instead, the photographs were filed away for 30 years, until 2001, when the events on September 11 inspired Deiter to try to rekindle the couple’s message of peace, love, and compassion.\u003cbr\u003e\u003cbr\u003eThese images eloquently captured the spirituality and the idealism that lay behind the media event. In 2005, Gerry Deiter wrote “Being present at the birth of that powerful anthem to peace had a special significance to me, helping me to embark on a new life, both professionally and spiritually. It was a time for revolution, of social and political upheaval that, like the words and music of “Give Peace a Chance”, echoes down through the decades and inspires us today to bring peace, compassion and justice to the world.”\u2028\u2028By 1970, Deiter had moved to the West Coast where he became the first photographer to sail with the Greenpeace Too to protest nuclear testing on Amchitka Island. He was the founding editor of the newspaper,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePrince Rupert This Week\u003c\/em\u003e, and continued his news work as a contributing editor to the online news site,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePeace, Earth \u0026amp; Justice News\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIn 1969, Deiter was assigned by \u003cem\u003eLIFE\u003c\/em\u003e magazine to photograph John Lennon and Yoko Ono at Montréal’s Queen Elizabeth Hotel during their “Bed-In” protest against America’s involvement in the Vietnam War. He captured hundreds of images of the couple, in public and behind the scenes, as celebrities and visitors poured through the room. The photographs are remarkable for the intimacy portrayed by Lennon and Ono, who felt comfortable with Deiter thanks to the photographer’s long-standing friendship with Ono, which predated her meeting the Beatle.\u003cbr\u003e\u003cbr\u003eIt was during this protest that Lennon wrote the song “Give Peace A Chance”, which he then recorded spontaneously with an unlikely crowd who just happened to be there at the time. Despite the media attention that the event received, Deiter’s photographs were never published in \u003cem\u003eLIFE\u003c\/em\u003e; the story was bumped in favour of another piece about the war. Instead, the photographs were filed away for 30 years, until 2001, when the events on September 11 inspired Deiter to try to rekindle the couple’s message of peace, love, and compassion.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/ffotoimage.com\/wp-content\/uploads\/2017\/12\/fFOTOIMAGE_Bio_Gerry-Deiter.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/ffotoimage.com\/wp-content\/uploads\/2017\/12\/fFOTOIMAGE_Gerry-Deiter_Toronto-Star_pE4_May-16th-2009.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGive Peace a Chance\u003c\/a\u003e (PDF) - Toronto Star, May 2009\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/ffotoimage.com\/wp-content\/uploads\/2017\/12\/fFOTOIMAGE_Gerry-Deiter_Stephen-Bulger-Gallery-Press-Release.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGive Peace a Chance Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, 2009\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"16 x 20 inch (40.64 x 50.8 cm)","offer_id":13006223474753,"sku":"SBG-GD-0005-CF","price":640.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/0c12c550d877d2ce0872ba02d02732f0j_e1c2ac5c-3df9-4daf-8b23-ba94ab818805.jpg?v=1533231661"},{"product_id":"ohyokogerrydeiter","title":"Oh Yoko","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout this Photograph\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1969\u003cbr\u003eChromogenic print\u003cbr\u003eSigned by Joan Athey, titled, dated, and editioned, au verso \u003cbr\u003ePrinted in 2009\u003cbr\u003eEdition of 100 (#2\/100)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBorn in Brooklyn, Gerry Deiter (1934-2005) began taking photographs of the city at a very early age. Surrounded by art and fashion during his teens, he was often in the company of famous New York fashion and commercial photographers. Soon he regularly had fashion spreads in\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eWomen’s Wear Daily\u003c\/em\u003eand his work was on the cover of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eHarper’s Bazaar\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003emagazine. He was asked to teach at the famous Pratt Institute. He also photographed the jazz scene in New York and shot the first two album covers for Frank Zappa. In the 1960s, Deiter became involved in the anti-Vietnam war movement where he documented numerous protests. In 1968, he moved to Canada, where he settled in Montréal and continued to work as a photojournalist featured in publications such as \u003cem\u003eTime Magazine\u003c\/em\u003e and \u003cem\u003eLIFE\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eIn 1969, Deiter was assigned by \u003cem\u003eLIFE\u003c\/em\u003e magazine to photograph John Lennon and Yoko Ono at Montréal’s Queen Elizabeth Hotel during their protest against America’s involvement in the Vietnam War. He captured hundreds of images of the couple, in public and behind the scenes, as celebrities and visitors poured through the room. It was during this protest that Lennon wrote the song “Give Peace A Chance”, which he then recorded spontaneously with an unlikely crowd who just happened to be there at the time. Despite the media attention that the event received, Deiter’s photographs were never published in \u003cem\u003eLIFE\u003c\/em\u003e; the story was bumped in favour of another piece about the war. Instead, the photographs were filed away for 30 years, until 2001, when the events on September 11 inspired Deiter to try to rekindle the couple’s message of peace, love, and compassion.\u003cbr\u003e\u003cbr\u003eThese images eloquently captured the spirituality and the idealism that lay behind the media event. In 2005, Gerry Deiter wrote “Being present at the birth of that powerful anthem to peace had a special significance to me, helping me to embark on a new life, both professionally and spiritually. It was a time for revolution, of social and political upheaval that, like the words and music of “Give Peace a Chance”, echoes down through the decades and inspires us today to bring peace, compassion and justice to the world.”\u2028\u2028By 1970, Deiter had moved to the West Coast where he became the first photographer to sail with the Greenpeace Too to protest nuclear testing on Amchitka Island. He was the founding editor of the newspaper,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePrince Rupert This Week\u003c\/em\u003e, and continued his news work as a contributing editor to the online news site,\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePeace, Earth \u0026amp; Justice News\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIn 1969, Deiter was assigned by \u003cem\u003eLIFE\u003c\/em\u003e magazine to photograph John Lennon and Yoko Ono at Montréal’s Queen Elizabeth Hotel during their “Bed-In” protest against America’s involvement in the Vietnam War. He captured hundreds of images of the couple, in public and behind the scenes, as celebrities and visitors poured through the room. The photographs are remarkable for the intimacy portrayed by Lennon and Ono, who felt comfortable with Deiter thanks to the photographer’s long-standing friendship with Ono, which predated her meeting the Beatle.\u003cbr\u003e\u003cbr\u003eIt was during this protest that Lennon wrote the song “Give Peace A Chance”, which he then recorded spontaneously with an unlikely crowd who just happened to be there at the time. Despite the media attention that the event received, Deiter’s photographs were never published in \u003cem\u003eLIFE\u003c\/em\u003e; the story was bumped in favour of another piece about the war. Instead, the photographs were filed away for 30 years, until 2001, when the events on September 11 inspired Deiter to try to rekindle the couple’s message of peace, love, and compassion.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/ffotoimage.com\/wp-content\/uploads\/2017\/12\/fFOTOIMAGE_Bio_Gerry-Deiter.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/ffotoimage.com\/wp-content\/uploads\/2017\/12\/fFOTOIMAGE_Gerry-Deiter_Toronto-Star_pE4_May-16th-2009.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGive Peace a Chance\u003c\/a\u003e (PDF) - Toronto Star, May 2009\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/ffotoimage.com\/wp-content\/uploads\/2017\/12\/fFOTOIMAGE_Gerry-Deiter_Stephen-Bulger-Gallery-Press-Release.pdf\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eGive Peace a Chance Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, 2009\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"16 x 20 inch (40.64 x 50.8 cm)","offer_id":13006223507521,"sku":"SBG-GD-0009-CF","price":640.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/e6c17122e347c1108d0961d8e62520c9j_73dc7ea9-f3d5-4157-a2de-cb257e733cb4.jpg?v=1533231662"},{"product_id":"untitledgeorgeseeley","title":"Untitled","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout this Photograph\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003ecirca 1905\u003cbr\u003ePhotogravure on tissue\u003cbr\u003ePrinted circa 1906 \u003cbr\u003ePublished in Camera Work (15:39), July 1906\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGeorge Seeley (American, 1880-1955) was a student of painting and drawing in Boston when he met Fred Holland Day, who introduced him to the pictorial possibilities of photography. His debut came in 1904, when Seeley exhibited fourteen photographs in the First American Photographic Salon in New York. A reviewer enthused: “Mr. Seeley is the new man for whom we are always on the lookout, and his advent among pictorialists will be the sensation of the year.” The statement proved true. Critical of the exhibition but supportive of Seeley’s work, Alfred Stieglitz invited Seeley to join the Photo-Secession, with which he remained for six years, exhibiting and publishing his photographs.\u003cbr\u003e\u003cbr\u003eAfter the break with Stieglitz’s group, declining interest in the Pictorialist aesthetic and the increasing unavailability of platinum paper after World War I contributed to the demise of Seeley’s photographic career. He continued to exhibit his work into the 1930s, although he had practically ceased to make new work.\u003cbr\u003e\u003cbr\u003eSource: \u003ca href=\"http:\/\/www.getty.edu\/art\/collection\/artists\/1476\/george-h-seeley-american-1880-1955\/\" target=\"_blank\"\u003eGetty Museum\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eGeorge Seeley often recruited his sisters as models. He made dreamy, moody photographs that he printed on platinum paper. Seeley’s photography is known for soft focus, subtle tones, and compositions that have a painterly feel. He remained a dedicated pictorialist long after the style of picture making had fallen out of fashion.\u003cbr\u003e\u003cbr\u003eThis photogravure was originally included in a copy of Issue No. 20, October 1907, of \u003cem\u003eCamera Work\u003c\/em\u003e, Alfred Stieglitz’s ground-breaking photography journal.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 x 7 ½ inch (15.24 x 19.05 cm) image | 8 ¼ x 11 ¾ inch (20.96 x 29.85 cm) tissue","offer_id":13006224293953,"sku":"SBG-GSE-0003-CF","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/bcb610e5152d7897fb6adb68eeb09159_ef87a9d1-fb48-4830-9c2b-0b92617da9e3.jpg?v=1533231667"},{"product_id":"spider-guatemala-ideannapizzitelli","title":"Spider, Guatemala, I","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2017\u003cbr\u003eToned gelatin silver print\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au verso \u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 x 5 ½ inch (15.24 x 13.97 cm)","offer_id":13226418044993,"sku":"SBG-DP-K-0085-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/7eec78fb8635b8ad1e5ec24dfe983f85j.jpg?v=1534256774"},{"product_id":"cerronegro-nicaraguadeannapizzitelli","title":"Cerro Negro, Nicaragua","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2017\u003cbr\u003eSet of three Toned gelatin silver prints from one negative\u003cbr\u003eEach print signed, titled, dated, and editioned, in pencil, au verso \u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"Left to Right: 4 ¼ x 3 ¼ inch (10.8 x 8.26 cm) | 4 ½ x 3 ½ inch (11.43 x 8.89 cm) | 4 ¼ x 3 ¼ inch (10.8 x 8.26 cm)","offer_id":13226418143297,"sku":"SBG-DP-K-0092-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/fFOTOIMAGE_Deanna-Pizzitelli_Cerro-Negro-Nicaragua_Set.jpg?v=1554155691"},{"product_id":"portrait-nicaragua-ideannapizzitelli","title":"Portrait, Nicaragua, I","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2017\u003cbr\u003eToned gelatin silver print\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au verso \u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"4 ¼ x 7 ¾ inch (10.8 x 19.69 cm)","offer_id":13226418208833,"sku":"SBG-DP-K-0093-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/be5a798de5069d5776c7176ef8bc1152j.jpg?v=1534256777"},{"product_id":"crocodile-mexicodeannapizzitelli","title":"Crocodile, Mexico","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2017\u003cbr\u003eToned gelatin silver print\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au verso \u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 ½ x 7 ½ inch (16.51 x 19.05 cm)","offer_id":13226419421249,"sku":"SBG-DP-K-0094-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/00c0c604b410b71ade93bcc2f52b65faj.jpg?v=1554155719"},{"product_id":"monkey-iiideannapizzitelli","title":"Monkey, III","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2017\u003cbr\u003eToned gelatin silver print\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au verso \u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"5 ¼ x 4 ¼ inch (13.34 x 10.8 cm)","offer_id":13226419585089,"sku":"SBG-DP-K-0095-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/b070944e07536fa7589f8de8e293ddd2j.jpg?v=1534256781"},{"product_id":"self-portrait-cave-iideannapizzitelli","title":"Self-Portrait, Cave, II","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2017\u003cbr\u003eToned gelatin silver print\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au verso \u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"4 x 5 ¼ inch (10.16 x 13.97 cm)","offer_id":13226424893505,"sku":"SBG-DP-K-0099-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/cc4f47e0b8eb9dcad8b7e378c880286bj.jpg?v=1534256791"},{"product_id":"portrait-nicaragua-i2deannapizzitelli","title":"Portrait, Nicaragua, I","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2017\u003cbr\u003eToned gelatin silver print\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au verso \u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 10 inch (20.32 x 25.4 cm)","offer_id":13227880546369,"sku":"SBG-DP-K-0101-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/fdf048101d9e1875bd833fcfb2a6376dj.jpg?v=1534262828"},{"product_id":"untitled-4milanjohnlucas","title":"Untitled #4, Milan,","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2011\u003cbr\u003eFrom the series \"Tram Portraits\"\u003cbr\u003ePigment print on archival paper\u003cbr\u003eSigned, titled, and dated, in pencil, au verso\u003cbr\u003e Printed in 2012\u003cbr\u003eEdition of 15\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer.  His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 12 inch (20.32 x 30.48 cm) image | 12 ¾ x 18 inch (32.38 x 45.72 cm) paper","offer_id":13440673382465,"sku":"SBG-JLU-TP-0003-CF","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/5521d6d1e95252a032bcb5bab663bd02j.jpg?v=1535422648"},{"product_id":"untitled-5milanjohnlucas","title":"Untitled #5, Milan,","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2011\u003cbr\u003eFrom the series \"Tram Portraits\"\u003cbr\u003ePigment print on archival paper\u003cbr\u003eSigned, titled, and dated, in pencil, au verso\u003cbr\u003ePrinted in 2012\u003cbr\u003eEdition of 15 \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer.  His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 12 inch (20.32 x 30.48 cm) image | 12 ¾ x 18 inch (32.38 x 45.72 cm) paper","offer_id":13440674693185,"sku":"SBG-JLU-TP-0006-CF","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/UNTITLED_5MILAN.jpg?v=1587060221"},{"product_id":"untitled-6bangkokjohnlucas","title":"Bangkok Snooker, Untitled #6,","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2012\u003cbr\u003eFrom the series \"Snooker: Thailand \u0026amp; Burma\"\u003cbr\u003ePigment print mounted to archival board\u003cbr\u003eSigned and dated, in pencil, au mount verso \u003cbr\u003ePrinted in 2015\u003cbr\u003eEdition of 15\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer.  His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"13 ½ x 20 inch (34.29 x 50.8 cm) image | 17 ½ x 24 inch (44.45 x 60.96 cm) board","offer_id":13440674725953,"sku":"SBG-JLU-AS-0008-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Untitled_6Bangkok.jpg?v=1587060881"},{"product_id":"untitled-1yangonjohnlucas","title":"Yangon Snooker, Untitled #1","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2013\u003cbr\u003eFrom the series \"Snooker: Thailand \u0026amp; Burma\"\u003cbr\u003e8 x 12 inch: Pigment print on archival paper (edition of 15; printed in 2014)\u003cbr\u003e13.5 x 20 inch: Pigment print mounted to archival board (edition of 15; printed in 2015)\u003cbr\u003ePrints are signed and dated, in pencil, au mount verso\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer.  His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 12 inch (20.32 x 30.48 cm) image | 14.25 x 18 inch (96.20 x 45.72 cm) paper","offer_id":31592173142081,"sku":"SBG-JLU-AS-0001-C","price":480.0,"currency_code":"USD","in_stock":true},{"title":"13.5 x 20 inch (34.29 x 50.8 cm) image | 17.5 x 24 inch (44.45 x 60.96 cm) board","offer_id":13440675217473,"sku":"SBG-JLU-AS-0009-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Untitled_1Yangon.jpg?v=1587060717"},{"product_id":"untitled-5bangkokjohnlucas","title":"Bangkok Snooker, Untitled #5","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2012\u003cbr\u003eFrom the series \"Snooker: Thailand \u0026amp; Burma\"\u003cbr\u003e8 x 12 inch: Pigment print on archival paper (edition of 15; printed in 2014)\u003cbr\u003e13.5 x 20 inch: Pigment print mounted to archival board (edition of 15; printed in 2015)\u003cbr\u003ePrints are signed and dated, in pencil, au mount verso\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer.  His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 12 inch (20.32 x 30.48 cm) image | 14.25 x 18 inch (96.20 x 45.72 cm) paper","offer_id":31592224751681,"sku":"","price":480.0,"currency_code":"USD","in_stock":true},{"title":"13.5 x 20 inch (34.29 x 50.8 cm) image | 17.5 x 24 inch (44.45 x 60.96 cm)","offer_id":13440675250241,"sku":"SBG-JLU-AS-0010-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Untitled_5Bangkok.jpg?v=1587060852"},{"product_id":"untitled-10bangkokjohnlucas","title":"Bangkok Snooker, Untitled #10","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2012\u003cbr\u003eFrom the series \"Snooker: Thailand \u0026amp; Burma\"\u003cbr\u003ePigment print mounted to archival board\u003cbr\u003eSigned and dated, in pencil, au mount verso \u003cbr\u003ePrinted in 2015\u003cbr\u003eEdition of 15\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer.  His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"13 ½ x 20 inch (34.29 x 50.8 cm) image | 17 ½ x 24 inch (44.45 x 60.96 cm) board","offer_id":13440675315777,"sku":"SBG-JLU-AS-0011-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Untitled_10Bangkok.jpg?v=1587060911"},{"product_id":"untitled-1bangkokjohnlucas","title":"Bangkok Snooker, Untitled #1,","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2012\u003cbr\u003eFrom the series \"Snooker: Thailand \u0026amp; Burma\"\u003cbr\u003ePigment print mounted to archival board\u003cbr\u003eSigned and dated, in pencil, au mount verso \u003cbr\u003ePrinted in 2015\u003cbr\u003eEdition of 15\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer. His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"13 ½ x 20 inch (34.29 x 50.8 cm) print | 17 ½ x 24 inch (44.45 x 60.96 cm) board","offer_id":13440675348545,"sku":"SBG-JLU-AS-0012-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Untitled_1Bangkok.jpg?v=1587060662"},{"product_id":"untitled-11bangkokjohnlucas","title":"Bangkok Snooker, Untitled #11","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2012\u003cbr\u003eFrom the series \"Snooker: Thailand \u0026amp; Burma\"\u003cbr\u003e8 x 12 inch: Pigment print on archival paper (edition of 15; printed in 2014)\u003cbr\u003e13.5 x 20 inch: Pigment print mounted to archival board (edition of 15; printed in 2015)\u003cbr\u003ePrints are signed and dated, in pencil, au mount verso\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer.  His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 12 inch (20.32 x 30.48 cm) image | 14.25 x 18 inch (96.20 x 45.72 cm) paper","offer_id":31592596799553,"sku":"SBG-JLU-AS-0002-C","price":480.0,"currency_code":"USD","in_stock":true},{"title":"13.5 x 20 inch (34.29 x 50.8 cm) print | 17.5 x 24 inch (44.45 x 60.96 cm) board","offer_id":13440675905601,"sku":"SBG-JLU-AS-0013-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Untitled_11Bangkok.jpg?v=1587060938"},{"product_id":"untitled-3chiangmaijohnlucas","title":"Chiang Mai Snooker, Untitled #3,","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2013\u003cbr\u003eFrom the series \"Snooker: Thailand \u0026amp; Burma\"\u003cbr\u003ePigment print mounted to archival board\u003cbr\u003eSigned and dated, in pencil, au mount verso\u003cbr\u003e Printed in 2015\u003cbr\u003eEdition of 15\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer.  His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"13 ½ x 20 inch (34.29 x 50.8 cm) print | 17 ½ x 24 inch (44.45 x 60.96 cm) board","offer_id":13440675971137,"sku":"SBG-JLU-AS-0014-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Untitled_3ChiangMai.jpg?v=1587060788"},{"product_id":"untitled-1mandalayjohnlucas","title":"Mandalay Snooker, Untitled #1,","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2013\u003cbr\u003eFrom the series \"Snooker: Thailand \u0026amp; Burma\"\u003cbr\u003ePigment print mounted to archival board\u003cbr\u003eSigned and dated, in pencil, au mount verso\u003cbr\u003e Printed in 2015\u003cbr\u003eEdition of 15 \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer.  His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"13 ½ x 20 inch (34.29 x 50.8 cm) print | 17 ½ x 24 inch (44.45 x 60.96 cm) board","offer_id":13440676036673,"sku":"SBG-JLU-AS-0015-CF","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Untitled_1Mandalay.jpg?v=1587060692"},{"product_id":"untitled-1milanjohnlucas","title":"Untitled #1, Milan","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2011\u003cbr\u003eFrom the series \"Tram Portraits\"\u003cbr\u003e8 x 12 inch: Pigment print on archival paper (edition of 15; printed in 2013)\u003cbr\u003e13.25 x 20 inch: Pigment print mounted to archival board (edition of 15; printed in 2012)\u003cbr\u003ePrints are signed and dated, in pencil, au mount verso\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eJohn Lucas has been a lifelong photographer.  His photographic assignments as a young student included covering visits of the Queen, and Montgomery of Alamein. While engaged in doctoral research in physics, John was invited to exhibit at Sussex University’s Arts Centre, until then the exclusive domain of established artists. His early work was documentary, “street photography” of the life around him in England and while travelling in Europe, Turkey, and Morocco.\u003cbr\u003e\u003cbr\u003eDuring the 1970s Lucas suspended his pursuit of photography, finding it incompatible with the demands of a scientific career. Then, in 1981, a journey to Russia inspired a series based on Polaroid and colour transparency film. While this project was pursued with characteristic intensity, it took until 2007 to bring it to life through a combination of a strong sense of “unfinished business” coupled with advances in digital processing and, most precious of all, time. Revisiting those early photographs was instrumental in shifting Lucas’ interest towards the more painterly, formal, emotive - and sometimes abstract - approach which informs his treatment of both human subjects and industrial settings.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 12 inch (20.32 x 30.48 cm) image | 12.75 x 18 inch (32.38 x 45.72 cm) paper","offer_id":31592260829249,"sku":"SBG-JLU-TP-0001-C","price":600.0,"currency_code":"USD","in_stock":true},{"title":"13.25 x 20 inch (33.66 x 50.8 cm) | 16.5 x 23 inch (41.91 x 58.42 cm)","offer_id":13440676134977,"sku":"SBG-JLU-TP-0016-CF","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/UNTITLED_1MILAN.jpg?v=1587060192"},{"product_id":"magdalenafjord-4shoshannahwhite","title":"Magdalenafjord #4","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2015\u003cbr\u003eUnique pigment print with hand-applied encaustic wax and metal dust\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au mount verso \u003cbr\u003ePrinted in 2016\u003cbr\u003eEdition of 5 (#2\/5)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eShoshannah White is a photo-based artist living in Portland, Maine. Her practice includes photography, painting, sculpture and public art installation. Her work has been featured in publications and exhibitions internationally. Her installation work is sited throughout Maine.\u003cbr\u003e\u003cbr\u003eShoshannah received her BFA from The Savannah College of Art and Design and has studied at the Center for Creative Imaging as well as the Maine Photographic Workshop, receiving several scholarships for study. Shoshannah has completed artist residencies in the United States, the Canadian Maritimes and in Svalbard, Norway, within the Arctic Circle. She has been awarded grants through organizations including the Berkshire Taconic Foundation, Arts New Brunswick, Canada and the Maine Arts Commission, funded in part by the National Endowment for the Arts.\u003cbr\u003e\u003cbr\u003eShe has completed many private and public commissions, often incorporating photography into architectural or sculptural form. In 2012, Public Art Network’s Year in Review selected Shoshannah’s work as one of the top 50 commissions installed in the United States. She has been a guest critic, a visiting artist and lecturer at colleges and universities including the University of Southern Maine and Wheelock College in Boston. She has taught workshops and provided private instruction in a number of specialized photographic and painting techniques.\u003cbr\u003e\u003cbr\u003eHer work is included in The Dancing Bear Collection of W.M. Hunt, The Judy Glickman-Lauder Collection at the Portland Museum of Art and at the Bates College Museum of Art among others. Her work is also included in W.M. Hunt’s book “The Unseen Eye” published by Thames \u0026amp; Hudson - an Aperture edition. Her work mixing photographic media with encaustic paint is featured in “The Book of Alternative Photographic Processes” by Christopher James.\u003cbr\u003e\u003cbr\u003eShe has participated in the Portland Museum of Art’s Artist Intervention series and has exhibited her work widely including the Robert Berman Gallery in Los Angeles, California, The Center for Photography at Wood-stock, New York, Whitney Artworks in Portland, Maine, Bates College Museum of Art in Lewiston, Maine, the Revolving Museum in Boston, Massachusetts, the Center for Maine Contemporary Art in Rockport, Maine, The Museo Raccolte Frugone in Genova, Italy and the Hellenic Society in Mytilene, Greece – among others. Her editorial work and licensed imagery is affiliated with Aurora\/Novus Select in Portland, Maine and New York with photographs appearing in such publications as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePhoto District News, National Geographic, Newsweek, Psychology Today, Details, Der Speigel\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Wall Street Journal\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 x 6 inch (15.24 x 15.24 cm)","offer_id":13440701268033,"sku":"SBG-SW-0008-CF","price":675.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/375b785b8b6e721ae9c39f172461f208j.jpg?v=1535422799"},{"product_id":"souloftheblastedpineannebrigman","title":"Soul of the Blasted Pine","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout this Photograph\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1909\u003cbr\u003ePhotogravure\u003cbr\u003eArtist copyright with date, printed as part of plate, au recto \u003cbr\u003ePublished in Camera Work, January 1909, 25:5\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBorn in Hawaii, Anne Brigman (\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e1869 - 1950)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e moved to California when she was sixteen years old. Trained as a painter, she turned to photography in 1902. \"[S]lim, hearty, unaffected women of early maturity living a hardy out-of-door life in high boots and jeans, toughened to wind and sun\" were Brigman's favored subjects, and she photographed them nude in the landscape of the Sierra Nevada mountains of Northern California.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBrigman was one of two original California members of the art photography group the Photo-Secession, founded by Alfred Stieglitz, and she was the only Western photographer to be made a Fellow of the group. Three issues of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCamera Work \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003efeatured her photographs, and the British Linked Ring society of photographers elected her a member. Around 1929 she moved to Long Beach in Southern California, where she continued to photograph, focusing on a series of sand erosions. A year before her death in Eagle Rock, near Los Angeles, in 1950, she published a book of her poems and photographs titled \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSongs of a Pagan.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSource: \u003c\/span\u003e\u003ca href=\"http:\/\/www.getty.edu\/art\/collection\/artists\/1724\/anne-w-brigman-american-1869-1950\/\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe J. Paul Getty Museum\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBrigman's photographs frequently focused on the female nude, dramatically situated in natural landscapes or trees. Many of her photos were taken in the Sierra Nevada in carefully selected locations and featuring elaborately staged poses. Brigman often featured herself as the subject of her images, such as “Soul of the Blasted Pine”, for which she received the Birmingham Photographic Society's first silver medal. Many of her other photos used her sister as the nude model. After shooting the photographs, she would extensively touch up the negatives with paints, pencil, or superimposition.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBrigman's deliberately counter-cultural images suggested bohemianism and female liberation. Her work challenged the establishment's cultural norms and defied convention, instead embracing pagan antiquity. The raw emotional intensity and barbaric strength of her photos contrasted with the carefully calculated and composed images of Stieglitz and other modern photographers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis photogravure was originally included in a copy of Issue No. 25, January 1909, of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCamera Work\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Alfred Stieglitz’s ground-breaking photography journal.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.artsy.net\/article\/artsy-editorial-anne-brigman-pioneering-photographer-nude-self-portraits\" target=\"_blank\"\u003eAnne Brigman, a Pioneering Photographer of Nude Self-Portraits\u003c\/a\u003e - Artsy,\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e2018\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.theartnewspaper.com\/news\/feminist-photographer-anne-brigman-rediscovered-in-museum-show\"\u003ePhotographer Anne Brigman rediscovered in Nevada Museum of Art show\u003c\/a\u003e\u003c\/span\u003e\u003cspan class=\"s2\"\u003e - The Art Newspaper, 2018\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/www.dazeddigital.com\/art-photography\/article\/41515\/1\/feminist-history-women-artists-nudes-nature-ana-mendieta-francesca-woodman\" target=\"_blank\"\u003eThe feminist history of women artists taking nudes in nature\u003c\/a\u003e - Dazed, 2018\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/datebook.sfchronicle.com\/art-exhibits\/anne-brigman-a-proto-feminist-photographer-gets-her-due-at-nevada-museum\" target=\"_blank\"\u003eAnne Brigman, a proto-feminist photographer, gets her due at Nevada Museum\u003c\/a\u003e - Datebook, 2018\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/www.kqed.org\/arts\/13842189\/anne-brigman-nevada-museum-of-art-laid-bare-in-the-landscape\" target=\"_blank\"\u003eA Century Ago, She Photographed Herself in Nature, Naked and Unafraid\u003c\/a\u003e - KQED - 2019\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/www.newsreview.com\/reno\/wall-to-wall\/content?oid=27206385\"\u003eWall to wall: A scholarly exhibition brings a long-forgotten photographer into the present\u003c\/a\u003e - News Review, 2018\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 ⅛ x 8 ⅛ inch (15.56 x 20.96 cm)","offer_id":14027591385153,"sku":"","price":500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/3fd473010c01fc646ba3b5c5b62f11cej.jpg?v=1539531220"},{"product_id":"caprikarlstruss","title":"Capri","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout this Photograph\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1912\u003cbr\u003ePhotogravure\u003cbr\u003ePublished in Camera Work, April 1912, 38:49\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eClaiming to have taken up photography in \"self-defense\" after working ten hours a day in his father's bonnet-wire factory, Karl Struss (\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e1886 - 1981)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e became a student of Clarence White at Columbia University. At the same time, he garnered the attention and praise of elder photographic statesman Alfred Stieglitz, who published Struss's work and selected twelve of his photographs for inclusion in the groundbreaking 1910 exhibition of Pictorialist photography at the Albright-Knox Gallery in Buffalo, New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAn indefatigable experimenter, Struss perfected a multi-layered platinum printing process and at age twenty-two developed the Struss Pictorial Lens, which became the first soft-focus lens used in motion pictures. In 1914 he took over White's New York studio, specializing in portraits, advertising, and commercial work. With White he co-founded the Pictorial Photographers of America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAfter giving up his studio to serve during World War I, Struss moved to Hollywood and became a cinematographer for Cecil B. DeMille and D.W. Griffith. In 1928 he received the first Academy Award (for cinematography for \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSunrise).\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Struss worked on more than a hundred films before his retirement in 1970, including 1925's \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBen Hur\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eand Charlie Chaplin's \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimelight\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Great Dictator.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eSource: \u003c\/span\u003e\u003ca href=\"http:\/\/www.getty.edu\/art\/collection\/artists\/1807\/karl-f-struss-american-1886-1981\/\" target=\"_blank\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe J. Paul Getty Museum\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlready it’s possible to see the sensibility of not only a master photographer but also a future Academy Award-winning cinematographer. On display in this composition is a view that looks like it had been removed from a motion picture; a fairytale setting that looks almost as if its a film set rather than an actual place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis photogravure was originally included in a copy of Issue No. 38, April 1912, of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCamera Work\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Alfred Stieglitz’s ground-breaking photography journal.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"7 ⅞ x 6 ¼ inch (20.00 x 15.88 cm)","offer_id":14027591909441,"sku":"","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/b43efa7167f8c2592db0319457832d64j.jpg?v=1554155687"},{"product_id":"thecliffs-sorentokarlstruss","title":"The Cliffs, Sorento","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout this Photograph\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1912\u003cbr\u003ePhotogravure\u003cbr\u003ePublished in Camera Work, April 1912, 38:55\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eClaiming to have taken up photography in \"self-defense\" after working ten hours a day in his father's bonnet-wire factory, Karl Struss (\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e1886 - 1981)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\"\u003e became a student of Clarence White at Columbia University. At the same time, he garnered the attention and praise of elder photographic statesman Alfred Stieglitz, who published Struss's work and selected twelve of his photographs for inclusion in the groundbreaking 1910 exhibition of Pictorialist photography at the Albright-Knox Gallery in Buffalo, New York.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAn indefatigable experimenter, Struss perfected a multi-layered platinum printing process and at age twenty-two developed the Struss Pictorial Lens, which became the first soft-focus lens used in motion pictures. In 1914 he took over White's New York studio, specializing in portraits, advertising, and commercial work. With White he co-founded the Pictorial Photographers of America.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAfter giving up his studio to serve during World War I, Struss moved to Hollywood and became a cinematographer for Cecil B. DeMille and D.W. Griffith. In 1928 he received the first Academy Award (for cinematography for \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eSunrise).\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e Struss worked on more than a hundred films before his retirement in 1970, including 1925's \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eBen Hur\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003eand Charlie Chaplin's \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eLimelight\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e and \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe Great Dictator.\u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cspan style=\"font-weight: 400;\"\u003eSource: \u003c\/span\u003e\u003ca href=\"http:\/\/www.getty.edu\/art\/collection\/artists\/1807\/karl-f-struss-american-1886-1981\/\" target=\"_blank\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eThe J. Paul Getty Museum\u003c\/span\u003e\u003c\/a\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eA cinematic view of Italy; this time the sweeping view from the cliffs at Sorrento into the Gulf of Naples. Evidence of Struss's aptitude for movie-making - a talent that would bring him the first Academy Award issued for cinematography.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis photogravure was originally included in a copy of Issue No. 38, April 1912, of \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCamera Work\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, Alfred Stieglitz’s ground-breaking photography journal.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 ¼ x 8 ¼ inch (15.88 x 20.95 cm)","offer_id":14027591942209,"sku":"","price":350.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/65bfde14b9c097b9e547871af6f8cb79j.jpg?v=1539531233"},{"product_id":"untitledportraita-c-mcintyre","title":"Untitled Portrait","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout this Photograph\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003eCirca 1885\u003cbr\u003eAlbumen print mounted to carte de visite\u003cbr\u003eAnnotated \"Travelling Dispensary, Thermometer 20 degrees below zero\" in ink, with studio stamp: A.C. McIntyre Photographer, Brockville, CW, in ink, au verso \u003cbr\u003ePrinted circa 1885\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp\u003e\u003cspan\u003eAlexander Carson McIntyre (1822-1897) was a regionally renowned photographer working in the latter part of the 19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century in the Thousand Islands, a picturesque archipelago in the St. Lawrence River, along the border between the province of Ontario and the state of New York. McIntyre established his reputation as a prolific producer of 3D “\u003c\/span\u003e\u003cspan\u003estereoviews\u003c\/span\u003e\u003cspan\u003e” and “\u003c\/span\u003e\u003cspan\u003ecartes\u003c\/span\u003e\u003cspan\u003e-de-\u003c\/span\u003e\u003cspan\u003evisite\u003c\/span\u003e\u003cspan\u003e”, a type of inexpensive, novelty portrait that was fashionable at the time. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThanks to regional records it’s possible to establish much about McIntyre’s career. He maintained studios on both sides of the border and generated much of his business through his savvy instinct for advertising both his photographic services as well as the pleasures of the region as a tourist destination, including mentioning transportation routes and schedules for trains and steamers, and recommendations for hotels and local attractions. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp\u003e\u003cspan\u003eThis listing presents a carte-de-\u003c\/span\u003e\u003cspan\u003evisite\u003c\/span\u003e\u003cspan\u003e, or cabinet card, a wildly popular type of keepsake photograph that shared the standard size of formal visiting cards of the mid-19\u003c\/span\u003e\u003cspan\u003eth\u003c\/span\u003e\u003cspan\u003e century. Typical subject matter could include studio portraits, scenic views, tourist attractions, celebrities, and famous works of art. Highly collectible, these cards were usually kept in specially dedicated albums.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis particular carte-de-\u003c\/span\u003e\u003cspan\u003evisite\u003c\/span\u003e\u003cspan\u003e depicts a man dressed for cold weather, even though he is obviously standing in front of a studio backdrop. He is described as a Travelling Dispensary, a type of medical professional who would have had an itinerant practice – a sort of precursor to today’s General Practitioner. The novelty of the subject matter would have appealed to tourists visiting the Thousand Islands area from more cosmopolitan places like Montreal or New York City.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003eThe second image shows the verso view of this item, including the handwritten annotation and studio stamp.\u003c\/span\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true}'\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"http:\/\/www.thousandislandslife.com\/BackIssues\/Archive\/tabid\/393\/articleType\/ArticleView\/articleId\/1390\/Mr-and-Mrs-AC-McIntyre.aspx\" target=\"_blank\" title=\"Mr. and Mrs. McIntyre - Press\" rel=\"noopener noreferrer\"\u003eMr. and Mrs. McIntyre\u003c\/a\u003e - Thousand Island Life, October 2013 \u003c\/span\u003e\u003c\/p\u003e\n\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true}'\u003e\u003cspan data-ccp-props='{\"134233117\":true,\"134233118\":true}'\u003e\u003ca href=\"http:\/\/www.thousandislandslife.com\/BackIssues\/Archive\/tabid\/393\/articleType\/ArticleView\/articleId\/702\/StereoviewsndashNew-Book-Features-River-History-in-3-D.aspx\" target=\"_blank\" title=\"A.C. McIntyre - Thousand Island life \" rel=\"noopener noreferrer\"\u003eA.C. McIntyre - First Photographer of the Thousand Islands\u003c\/a\u003e - Thousand Island Life, June 2011\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"3 ½ x 2 ⅛ (8.89 x 5.40 cm) image | 4 x 2 ⅜ inch (10.16 x 6.03 cm)","offer_id":17958723027009,"sku":"","price":240.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/4616b13abdb3a6b8193c9588c61c2226j.jpg?v=1569203710"},{"product_id":"untitledtwohat-wearingmenperchedbehindpaintedpanelofflyingrocketphotographerunknown","title":"Untitled [two hat-wearing men perched behind painted panel of flying rocket]","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout this Photograph\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003eCirca 1910\u003cbr\u003eGelatin silver postcard\u003cbr\u003ePrinted circa 1910\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp\u003e\u003cspan\u003eWhen an image’s photographer is unknown, the subject matter determines its significance as a collectible work of art. Interesting vernacular images without any historical significance, like this one, are often described as “found photography”. \u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-ccp-props=\"{}\"\u003e \u003c\/span\u003e\u003cspan\u003eThe composition shows two men wearing hats perched behind a painted panel depicting a flying rocket. The second view shows the verso, or reverse, of the print; it gives evidence that this print was made to be used as a postcard – likely a keepsake meant for one of the men in the photograph, or to send to friends or family.\u003c\/span\u003e\u003cspan data-ccp-props=\"{}\"\u003e  \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"2 ⅝ x 3 ⅜ inch (6.67 x 8.57 cm) postcard","offer_id":17958724304961,"sku":"","price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/a7ab3ef048e16883fcf79c09b7275325j.jpg?v=1548634577"},{"product_id":"5lpi-cmyksanazmazinani","title":"5LPI\/ CMYK","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2018\u003cbr\u003eScreen print on watercolour paper\u003cbr\u003eFrom the series \"A Study in the Vertical\" \u003cbr\u003eSigned, dated, and editioned, in pencil, au verso \u003cbr\u003ePrinted by Jacob Horwood of Private Press Printing\u003cbr\u003e\u003cspan class=\"s1\"\u003ePrinted in 2018 \u003cbr\u003e\u003c\/span\u003eEdition of 7 + 3 APs (#3\/7)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAn artist and educator, Sanaz Mazinani is based between San Francisco and Toronto. Her work explores how repetition and pattern make information legible, transform seeing into knowing, with the possibility of altering people’s worldview. Working across the disciplines of photography, social sculpture, and large-scale multimedia installations, Mazinani creates informational objects that invite a rethinking of how we see, suspending the viewer between observation and knowledge. Informed by the visual rhetoric and confounding presence of contemporary media circulation, her multidisciplinary practice aims to politicise the proliferation and distribution of images and introduce critical reflection. Mazinani’s works study forms of state control and consider how re-visualizing embedded power structures might interrupt them. In aestheticising informational systems, the artist attempts to contribute to a larger understanding of how conflicting realities are constructed and imagine the communicative possibilities of visual language.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eMazinani holds an undergraduate degree from Ontario College of Art \u0026amp; Design and a master’s degree in fine arts from Stanford University. Her work has appeared in solo exhibitions at institutions including the Asian Art Museum in San Francisco and the West Vancouver Museum. She has exhibited her work globally at venues including in the US at Arizona State University Art Museum in Tempe, the Asian Art Museum in San Francisco, the di Rosa Museum in Napa, Euphrat Museum of Art in Cupertino, Taymour Grahne Gallery in New York, and Vox Populi in Philadelphia as well as at venues in Canada, France, Germany, Guatemala, India, Switzerland, the United Arab Emirates, and the United Kingdom.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eMazinani’s artwork has been written about in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eArtforum\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eartnet News\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBorder Crossings\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eCanadian Art\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSan Francisco Chronicle\u003c\/i\u003e,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eWashington Post\u003c\/i\u003e, among others. Her work was recently featured in\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eUniverse: Exploring the Astronomical World\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003epublished by Phaidon. She was recently awarded the Zellerbach Family Foundation Grant and National Endowment for the Arts grant programs, and her work is held in public collections including the Canada Council Art Bank, the Cleveland Museum of Art, and the San Francisco International Airport. She currently teaches in the photography department at the San Francisco Art Institute.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Sanaz_Mazinani.pdf?14538921432684982792\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eArtist CV\u003c\/a\u003e (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Sanaz_Mazinani.pdf?14538921432684982792\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Artist_Statement_Sanaz_Mazinani.pdf?5863311873505605343\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eLight Times Statement\u003c\/a\u003e (PDF)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_SF_Weekly.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - SF Weekly\"\u003eWindows On The World\u003c\/a\u003e\u003cspan\u003e (PDF) - SF Weekly, March 2017 \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Design_A_Beginners_Handbook.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - Design: A Beginner's Handbook\"\u003eCrossing a Cultural Divide: The Art of Sanaz Mazinani\u003c\/a\u003e\u003cspan\u003e (PDF) - Design: A Beginners Handbook, February 2017\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_CBC.pdf?15134182090965133876\" title=\"FFOTO - Press - Sanaz Mazinani - CBC\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eImmigrant memories inspired these siblings' art collab — then the travel ban nearly tore them apart\u003c\/a\u003e\u003cspan\u003e (PDF) - CBC, February 2017\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_The_Source.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - The Source\"\u003eMirror Image\u003c\/a\u003e\u003cspan\u003e (PDF) - The Source, April 2016 \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Tussle.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - Tussle\"\u003eSanaz Mazinani and The Found Image\u003c\/a\u003e\u003cspan\u003e (PDF) - Tussle, March 2016 \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Hyperallergic.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - Hyperallergic\"\u003eSeeing Fractured Explosions in Fragmented Mirrors\u003c\/a\u003e\u003cspan\u003e (PDF) - Hyperallergic, May 2015\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Artforum.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - Artforum\"\u003eSanaz Mazinani\u003c\/a\u003e\u003cspan\u003e (PDF) - Artforum, September 2014\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Flash_Art.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - Flash Art\"\u003eThe 5x5 Site Specific Project\u003c\/a\u003e\u003cspan\u003e (PDF) - Flash Art, September 2014 \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Artnet_News.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - Artnet News\"\u003eNew York Gallery Beat: 6 Critics Review 18 Shows\u003c\/a\u003e\u003cspan\u003e (PDF) - Artnet News, May 2014 \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Artsy.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - Artsy\"\u003eIn Sanaz Mazinani's Collages, Photographs Lie, Beautifully\u003c\/a\u003e\u003cspan\u003e (PDF) - Artsy, April 2014\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Vice.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - Vice: Creators\"\u003eSanaz Mazinani Warps War Photography Into Kaleidoscopic Collages\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e(PDF) - Vice: Creators, April 2014\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Gallery_44_Essay.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - Gallery 44\"\u003eSite, Sight, and Insight\u003c\/a\u003e\u003cspan\u003e (PDF) - Gallery 44, April 2013 \u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Border_Crossings.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - Border Crossings\"\u003eSanaz Mazinani\u003c\/a\u003e\u003cspan\u003e (PDF) - Border Crossings, 2012\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Sanaz_Mazinani_Essay_Frames_of_the_Visible_D_Fresko.pdf?15134182090965133876\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Sanaz Mazinani - David Fresco\"\u003eFrames of The Visible\u003c\/a\u003e\u003cspan\u003e (PDF) - David Fresco\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"18 x 18 inch (45.72 x 45.72 cm) image | 22 x 22 inch (55.88 x 55.88 cm) paper","offer_id":17958727090241,"sku":"","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/29b2c3ab3f21b5fe2f164bfb2906a511j.jpg?v=1554155618"},{"product_id":"thehonourabler-b-bennet-formerprimeministerofcanadavioletkeeneperinchief","title":"The Honourable R. B. Bennet, Former Prime Minister of Canada","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003eCirca 1940\u003cbr\u003eSilver bromide print mounted to period paper, mounted to additional two-ply period board\u003cbr\u003eSigned, in pencil, au mount recto \u003cbr\u003eTitled, in pencil, au mount verso \u003cbr\u003eEstate # V50 \u003cbr\u003ePrinted circa 1940\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003eViolet Keene Perinchief was an English-born Canadian photographer. The daughter of portrait photographer Minna Keene and painter Caleb Keene. Violet first learned how to use a camera around 1913 at her mother's studio in Montréal, Canada. After her family moved to Toronto, Ontario, Violet continued to apprentice under her mother, and eventually ran their studio after relocating to Oakville, Ontario, in 1921. After a long engagement, Violet married in 1928 but was widowed four months later. As a single mother, she bussed daily into Toronto to serve as the manager of the Eaton’s photography studio on College Street from 1933-1948. Violet also operated her own portrait studio in Oakville and throughout her career photographed major figures of her time including Aldous Huxley, George Bernard Shaw, Amelia Earhart, W.B Yeats, Vere Ponsonby; 9th Earl of Bessborough, and the Canadian Governor General.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Violet_Keene.pdf?127\" target=\"_blank\" title=\"FFOTO - Minna Keene CV\" rel=\"noopener noreferrer\"\u003eArtist CV\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Violet_Keene.pdf?127\" target=\"_blank\" title=\"FFOTO - Minna Keene Bio\" rel=\"noopener noreferrer\"\u003eArtist Bio\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Statement__Keene.pdf?127\" target=\"_blank\" title=\"FFOTO - Two Generations of Photography\" rel=\"noopener noreferrer\"\u003eTwo Generations of Photography\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/loeildelaphotographie.com\/en\/minna-keene-and-violet-keene-perinchief-two-generations-of-photography\/\" target=\"_blank\" title=\"FFOTO - Minna Keene and Violet Keene Perinchief: Two Generations of Photography\" rel=\"noopener noreferrer\"\u003eMinna Keene and Violet Keene Perinchief: Two Generations of Photography\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- L’oeil de la photographie,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e\u003c\/span\u003eMarch 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/torontolife.com\/culture\/art\/seven-stunning-vintage-shots-victorian-era-mother-daughter-photography-duo\/%20\" title=\"FFOTO - Seven stunning vintage shots from a Victorian-era mother-daughter photography duo\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSeven stunning vintage shots from a Victorian-era mother-daughter photography duo\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- Toronto Life, March 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"12 ⅜ x 9 ⅞ inch (31.43 x 25.08 cm) print | 14 ¾ x 11 ½ inch (37.47 x 29.21 cm) paper | 19 ⅞ x 15 ⅛ inch (50.48 x 38.42 cm) board","offer_id":18324914110529,"sku":"SBG-VKP-0017-CF","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/1cc957b128307058cf67313ad5f47db9j.jpg?v=1553460871"},{"product_id":"barbarawardladyjackson-1914-1981violetkeeneperinchief","title":"Barbara Ward (Lady Jackson, 1914-1981)","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003eCirca 1950\u003cbr\u003eGelatin silver print mounted to period paper, mounted to additional two-ply period board\u003cbr\u003eSigned, in pencil, titled, in ink, au mount recto \u003cbr\u003eEstate # V69 \u003cbr\u003ePrinted circa 1950\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003eViolet Keene Perinchief was an English-born Canadian photographer. The daughter of portrait photographer Minna Keene and painter Caleb Keene. Violet first learned how to use a camera around 1913 at her mother's studio in Montréal, Canada. After her family moved to Toronto, Ontario, Violet continued to apprentice under her mother, and eventually ran their studio after relocating to Oakville, Ontario, in 1921. After a long engagement, Violet married in 1928 but was widowed four months later. As a single mother, she bussed daily into Toronto to serve as the manager of the Eaton’s photography studio on College Street from 1933-1948. Violet also operated her own portrait studio in Oakville and throughout her career photographed major figures of her time including Aldous Huxley, George Bernard Shaw, Amelia Earhart, W.B Yeats, Vere Ponsonby; 9th Earl of Bessborough, and the Canadian Governor General.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Violet_Keene.pdf?127\" target=\"_blank\" title=\"FFOTO - Minna Keene CV\" rel=\"noopener noreferrer\"\u003eArtist CV\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Violet_Keene.pdf?127\" target=\"_blank\" title=\"FFOTO - Minna Keene Bio\" rel=\"noopener noreferrer\"\u003eArtist Bio\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Statement__Keene.pdf?127\" target=\"_blank\" title=\"FFOTO - Two Generations of Photography\" rel=\"noopener noreferrer\"\u003eTwo Generations of Photography\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/loeildelaphotographie.com\/en\/minna-keene-and-violet-keene-perinchief-two-generations-of-photography\/\" target=\"_blank\" title=\"FFOTO - Minna Keene and Violet Keene Perinchief: Two Generations of Photography\" rel=\"noopener noreferrer\"\u003eMinna Keene and Violet Keene Perinchief: Two Generations of Photography\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- L’oeil de la photographie,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e\u003c\/span\u003eMarch 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/torontolife.com\/culture\/art\/seven-stunning-vintage-shots-victorian-era-mother-daughter-photography-duo\/%20\" title=\"FFOTO - Seven stunning vintage shots from a Victorian-era mother-daughter photography duo\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSeven stunning vintage shots from a Victorian-era mother-daughter photography duo\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- Toronto Life, March 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"12 ⅝ x 10 inch (32.07 x 25.40 cm) print | 14 ¾ x 10 ⅞ inch (37.47 x 27.62 cm) paper | 19 ⅞ x 15 ⅞ inch (50.48 x 40.32 cm) board","offer_id":18324914143297,"sku":"SBG-VKP-0021-CF","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/9f14fcf392bfa30a31cd3d52f25fcd08j.jpg?v=1554155663"},{"product_id":"ladynancyastor-m-p-violetkeeneperinchief","title":"Lady Nancy Astor, M.P.","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003eCirca 1935\u003cbr\u003eGelatin silver print mounted to period paper, mounted to additional two-ply period board\u003cbr\u003eSigned, in pencil, au mount recto \u003cbr\u003eTitled, in pencil, au mount verso \u003cbr\u003eEstate # V81 \u003cbr\u003ePrinted circa 1935\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003eViolet Keene Perinchief was an English-born Canadian photographer. The daughter of portrait photographer Minna Keene and painter Caleb Keene. Violet first learned how to use a camera around 1913 at her mother's studio in Montréal, Canada. After her family moved to Toronto, Ontario, Violet continued to apprentice under her mother, and eventually ran their studio after relocating to Oakville, Ontario, in 1921. After a long engagement, Violet married in 1928 but was widowed four months later. As a single mother, she bussed daily into Toronto to serve as the manager of the Eaton’s photography studio on College Street from 1933-1948. Violet also operated her own portrait studio in Oakville and throughout her career photographed major figures of her time including Aldous Huxley, George Bernard Shaw, Amelia Earhart, W.B Yeats, Vere Ponsonby; 9th Earl of Bessborough, and the Canadian Governor General.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Violet_Keene.pdf?127\" target=\"_blank\" title=\"FFOTO - Minna Keene CV\" rel=\"noopener noreferrer\"\u003eArtist CV\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Violet_Keene.pdf?127\" target=\"_blank\" title=\"FFOTO - Minna Keene Bio\" rel=\"noopener noreferrer\"\u003eArtist Bio\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Statement__Keene.pdf?127\" target=\"_blank\" title=\"FFOTO - Two Generations of Photography\" rel=\"noopener noreferrer\"\u003eTwo Generations of Photography\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/loeildelaphotographie.com\/en\/minna-keene-and-violet-keene-perinchief-two-generations-of-photography\/\" target=\"_blank\" title=\"FFOTO - Minna Keene and Violet Keene Perinchief: Two Generations of Photography\" rel=\"noopener noreferrer\"\u003eMinna Keene and Violet Keene Perinchief: Two Generations of Photography\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- L’oeil de la photographie,\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e\u003c\/span\u003eMarch 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ca href=\"https:\/\/torontolife.com\/culture\/art\/seven-stunning-vintage-shots-victorian-era-mother-daughter-photography-duo\/%20\" title=\"FFOTO - Seven stunning vintage shots from a Victorian-era mother-daughter photography duo\" target=\"_blank\" rel=\"noopener noreferrer\"\u003eSeven stunning vintage shots from a Victorian-era mother-daughter photography duo\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e- Toronto Life, March 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"13 ⅝ x 11 inch (34.61 x 27.94 cm) print | 16 ½ x 12 ⅞ inch (41.91 x 32.70 cm) paper | 20 x 15 ⅞ inch (50.80 x 40.32 cm) board","offer_id":18324914208833,"sku":"SBG-VKP-0022-CF","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/330e9531833d5efc34bb7bff9eb37048j.jpg?v=1554156125"},{"product_id":"lawrencebrownfranzj-rosenbaum","title":"Lawrence Brown","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003eCirca 1964\u003cbr\u003eGelatin silver print\u003cbr\u003eTitled, in pencil, au verso \u003cbr\u003ePrinted circa 1964\u003cbr\u003e\u003cspan class=\"s1\"\u003eSBG-FJR-0069-O\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFRANZ ROSENBAUM \u003cb\u003e\u003cbr\u003e \u003c\/b\u003e(b. Cologne, Germany, 1929; d. 2012) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFranz Rosenbaum graduated from Economics at the University of Bonn. In 1952 he joined the German Diplomatic Service. His postings included: Singapore (Attaché) 1953 to 1956, Cyprus (Commercial Secretary) 1958 to 1963 and Toronto (Trade Commissioner) 1964 to 1975. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAfter a short posting to Chicago in 1976 he relinquished his diplomatic career and returned to Toronto to study Photojournalism, specializing in yachting, windsurfing and surfing photography. Travelling world wide he covered the major international events in this field. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eIn 1979 he was named Canadian Photographer of the year at the Manisphere Exhibition in Winnipeg. The National Film Board of Canada purchased his winning photograph. In 1981 he was accepted as a member of the NPPA, the Professional Press Photographers Association of the United States and Canada. In 1984 he was awarded an Associate ship of the Royal Photographic Society in London, England in recognition of his photographic achievements. Then in 1985 he won the coveted RSP World Championship for a portfolio of windsurfing photographs of that prestigious society, a prize contested for by over two thousand entries from 28 countries. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFranz, along with Franco Pace, Keith Beken and Jonathan Eastland, was a founding member of the International Marine Photographers. It was established in 1986 while all four members were in Western Australia covering the America's Cup, an annual yachting competition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHe was the recipient of a number of international awards. In 1988, one of his pictures was selected Eastman Kodak for a four-foot by seven-foot display in the Professional Photographer’s Showcase at Disney World’s Epcot Centre. His photographs, including over one thousand covers and illustrated articles, have appeared in magazines, books and newspapers in Europe, North America and Australia. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHe gave numerous lectures and slide shows on his highly specialized field of photography. His corporate clients included: Rolex, Mumm Champagne, Mercedes-Benz, Alcan, INCO, Shulton, IBM, PPG, DuPont, Eastman Kodak, Canon, Hawker-Siddeley, Pitney Bows, and Timex. Some of his individual clients were: Baron Bich of BIC Corp. in France, Ted Turner of Turner Broadcasting in USA and Sir James Hardy of Hardy Wines in Australia. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eHis introduction to Jazz was quite accidental. Listening to radio stations on a crystal receiver in the fall of 1943 he occasionally was able to pick up a few bars of an intriguing rhythm that he had never heard before. They most probably originated from the American Forces Network, which started broadcasting in England that year. Two years later this network would be established in Germany and provide the answer: the broken-up segments of music he had caught in 1943 were called the “Beat”. Now a regular listener of the AFN he became hooked on Jazz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eAlthough his photographic Jazz period extends only over four years (1964-1968) it was very productive. At the time Toronto was a hotbed of Jazz and he soon was able to establish himself on the jazz scene. Twice he covered the Newport Jazz Festival, for the \u003ci\u003eGlobe Magazine \u003c\/i\u003ein 1965 and for the \u003ci\u003eTelegram \u003c\/i\u003ein 1966. His photographs have been published in magazines and newspapers in North America and Europe and the major recording companies have used his images on records and CDs. He has tried to capture the dedication of the artists that is mirrored in their faces as they find new ways of improvising with each performance. It is a spontaneous, creative process that is unique to jazz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eFranz Rosenbaum died on Saturday June 9, 2012 and is survived by his sons Martin and Richard, and by grandchildren Kellan, Paul and Alexis. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"7 ⅞ x 9 ⅞ inch (20.00 x 25.08 cm) print","offer_id":29444932665409,"sku":"","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/28757e574260029a2187457a3d5f933f.jpg?v=1563909507"},{"product_id":"buckclaytonfranzj-rosenbaum","title":"Buck Clayton","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003eCirca 1966\u003cbr\u003eGelatin silver print\u003cbr\u003eTitled, in pencil, au verso \u003cbr\u003ePrinted circa 1966\u003cbr\u003e\u003cspan class=\"s1\"\u003eSBG-FJR-0070-O\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp\u003eFRANZ ROSENBAUM \u003cb\u003e\u003cbr\u003e\u003c\/b\u003e\u003cspan style=\"font-weight: 400;\"\u003e(b. Cologne, Germany, 1929; d. 2012) \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFranz Rosenbaum graduated from Economics at the University of Bonn. In 1952 he joined the German Diplomatic Service. His postings included: Singapore (Attaché) 1953 to 1956, Cyprus (Commercial Secretary) 1958 to 1963 and Toronto (Trade Commissioner) 1964 to 1975. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAfter a short posting to Chicago in 1976 he relinquished his diplomatic career and returned to Toronto to study Photojournalism, specializing in yachting, windsurfing and surfing photography. Travelling world wide he covered the major international events in this field. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eIn 1979 he was named Canadian Photographer of the year at the Manisphere Exhibition in Winnipeg. The National Film Board of Canada purchased his winning photograph. In 1981 he was accepted as a member of the NPPA, the Professional Press Photographers Association of the United States and Canada. In 1984 he was awarded an Associate ship of the Royal Photographic Society in London, England in recognition of his photographic achievements. Then in 1985 he won the coveted RSP World Championship for a portfolio of windsurfing photographs of that prestigious society, a prize contested for by over two thousand entries from 28 countries. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFranz, along with Franco Pace, Keith Beken and Jonathan Eastland, was a founding member of the International Marine Photographers. It was established in 1986 while all four members were in Western Australia covering the America's Cup, an annual yachting competition. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHe was the recipient of a number of international awards. In 1988, one of his pictures was selected Eastman Kodak for a four-foot by seven-foot display in the Professional Photographer’s Showcase at Disney World’s Epcot Centre. His photographs, including over one thousand covers and illustrated articles, have appeared in magazines, books and newspapers in Europe, North America and Australia. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHe gave numerous lectures and slide shows on his highly specialized field of photography. His corporate clients included: Rolex, Mumm Champagne, Mercedes-Benz, Alcan, INCO, Shulton, IBM, PPG, DuPont, Eastman Kodak, Canon, Hawker-Siddeley, Pitney Bows, and Timex. Some of his individual clients were: Baron Bich of BIC Corp. in France, Ted Turner of Turner Broadcasting in USA and Sir James Hardy of Hardy Wines in Australia. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eHis introduction to Jazz was quite accidental. Listening to radio stations on a crystal receiver in the fall of 1943 he occasionally was able to pick up a few bars of an intriguing rhythm that he had never heard before. They most probably originated from the American Forces Network, which started broadcasting in England that year. Two years later this network would be established in Germany and provide the answer: the broken-up segments of music he had caught in 1943 were called the “Beat”. Now a regular listener of the AFN he became hooked on Jazz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlthough his photographic Jazz period extends only over four years (1964-1968) it was very productive. At the time Toronto was a hotbed of Jazz and he soon was able to establish himself on the jazz scene. Twice he covered the Newport Jazz Festival, for the \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eGlobe Magazine \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003ein 1965 and for the \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eTelegram \u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003ein 1966. His photographs have been published in magazines and newspapers in North America and Europe and the major recording companies have used his images on records and CDs. He has tried to capture the dedication of the artists that is mirrored in their faces as they find new ways of improvising with each performance. It is a spontaneous, creative process that is unique to jazz. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eFranz Rosenbaum died on Saturday June 9, 2012 and is survived by his sons Martin and Richard, and by grandchildren Kellan, Paul and Alexis. \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"9 ⅞ x 7 ⅞ inch (25.08 x 20.00 cm) print","offer_id":29444932763713,"sku":"","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/763f87c451e710cf3a1f1a7e70f3291c.jpg?v=1564046498"},{"product_id":"experiment-28","title":"Experiment 28","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eAbout this Photograph\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1909\u003cbr\u003ePhotogravure\u003cbr\u003eUnframed\u003c\/p\u003e\nPublished in \u003cem\u003eCamera Work\u003c\/em\u003e, July 1909, 27:35\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eAn influential teacher and leading Pictorialist, Clarence White (1871-1925) photographed intimate and idyllic studies of family and friends. He used natural light to create a rich atmosphere and a quiet domestic sensitivity that resist sentimentality. White was influenced by the paintings of John Singer Sargent, James Whistler, and the early Impressionists, as well as Art Nouveau and Japanese art.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eBorn in Newark, Ohio, White worked as bookkeeper in his father's grocery business as a young man. He took his first photographs on his honeymoon in 1893, and fist exhibited work in 1896. In 1898 he founded the Newark Camera Club and met Gertrude Käsebier, F. Holland Day, and Alfred Stieglitz. White was elected an honorary member of the New York Camera Club in 1899, and had his work exhibited there, and he was named to England's Linked Ring Brotherhood in 1900. He was a founding member of the Photo-Secession in 1902, along with Stieglitz, Käsebier, \u003c\/span\u003e\u003ca href=\"https:\/\/ffoto.com\/collections\/types?q=Alvin%20Langdon%20Coburn\" target=\"_blank\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eAlvin Langdon Coburn\u003c\/span\u003e\u003c\/a\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and others. He moved to New York in 1906 and exhibited at \"291.\" The following year he taught the first photography courses offered at Columbia, and from 1908 to 1921 he taught at the Brooklyn Institute of Arts and Sciences.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eWhite's work was reproduced in \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003eCamera Work\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, and he participated in the International Exhibition of Pictorial Photography in Buffalo in 1910. He quarreled with Stieglitz in 1912, and soon established his own school; his students included Margaret Bourke-White, Dorothea Lange, Laura Gilpin, Ralph Steiner, and Paul Outerbridge. White co-founded the Pictorial Photographers of American in 1916 and organized its national exhibition two years later. He died while accompanying students in his summer school to Mexico City. Exhibitions of White's work have been held at the Museum of Modern Art, the Delaware Art Museum, and ICP. In 1996 the George Eastman House and the Detroit Institute of Arts presented an exhibition and publication entitled \u003c\/span\u003e\u003ci\u003e\u003cspan style=\"font-weight: 400;\"\u003ePictorialism into Modernism: The Clarence H. White School of Photography\u003c\/span\u003e\u003c\/i\u003e\u003cspan style=\"font-weight: 400;\"\u003e, which explored White's legacy through his students' work.\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eSource: \u003c\/span\u003e\u003ca href=\"https:\/\/www.icp.org\/browse\/archive\/constituents\/clarence-h-white?all\/all\/all\/all\/0\" target=\"_blank\"\u003e\u003cspan style=\"font-weight: 400;\"\u003eInternational Center of Photography\u003c\/span\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan style=\"font-weight: 400;\"\u003eClarence White’s photographs are black-and-white, romanticized, pictorialist images. Women and children were favorite subjects, and White was praised for capturing the character of his models. In a rare interview, White said, “I do not believe [a photographer] should go with a preconceived idea of what he is going to get. He should be moved by his subject. If he is not, he will become blind to the most beautiful aspects of nature.”\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-weight: 400;\"\u003eThis photogravure was included in Issue No. 23, July 1908, of \u003cem\u003eCamera Work\u003c\/em\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8.25 x 6.25 inch (20.64 x 15.88 cm) print","offer_id":31196258566209,"sku":null,"price":400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/SBG-CW-ASTI-001-C.jpg?v=1575044576"},{"product_id":"smeerenbergbreen-glacier-iceberg-2","title":"Smeerenbergbreen Glacier Iceberg #2","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2015\u003cbr\u003eUnique pigment print with hand-applied encaustic wax, oil paint, and metal dust\u003cbr\u003eSigned, titled, dated, and editioned, in ink, au verso\u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5 (#1\/5)\u003cbr\u003eUnframed\u003cbr\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eShoshannah White is a photo-based artist living in Portland, Maine. Her practice includes photography, painting, sculpture and public art installation. Her work has been featured in publications and exhibitions internationally. Her installation work is sited throughout Maine.\u003cbr\u003e\u003cbr\u003eShoshannah received her BFA from The Savannah College of Art and Design and has studied at the Center for Creative Imaging as well as the Maine Photographic Workshop, receiving several scholarships for study. Shoshannah has completed artist residencies in the United States, the Canadian Maritimes and in Svalbard, Norway, within the Arctic Circle. She has been awarded grants through organizations including the Berkshire Taconic Foundation, Arts New Brunswick, Canada and the Maine Arts Commission, funded in part by the National Endowment for the Arts.\u003cbr\u003e\u003cbr\u003eShe has completed many private and public commissions, often incorporating photography into architectural or sculptural form. In 2012, Public Art Network’s Year in Review selected Shoshannah’s work as one of the top 50 commissions installed in the United States. She has been a guest critic, a visiting artist and lecturer at colleges and universities including the University of Southern Maine and Wheelock College in Boston. She has taught workshops and provided private instruction in a number of specialized photographic and painting techniques.\u003cbr\u003e\u003cbr\u003eHer work is included in The Dancing Bear Collection of W.M. Hunt, The Judy Glickman-Lauder Collection at the Portland Museum of Art and at the Bates College Museum of Art among others. Her work is also included in W.M. Hunt’s book “The Unseen Eye” published by Thames \u0026amp; Hudson - an Aperture edition. Her work mixing photographic media with encaustic paint is featured in “The Book of Alternative Photographic Processes” by Christopher James.\u003cbr\u003e\u003cbr\u003eShe has participated in the Portland Museum of Art’s Artist Intervention series and has exhibited her work widely including the Robert Berman Gallery in Los Angeles, California, The Center for Photography at Wood-stock, New York, Whitney Artworks in Portland, Maine, Bates College Museum of Art in Lewiston, Maine, the Revolving Museum in Boston, Massachusetts, the Center for Maine Contemporary Art in Rockport, Maine, The Museo Raccolte Frugone in Genova, Italy and the Hellenic Society in Mytilene, Greece – among others. Her editorial work and licensed imagery is affiliated with Aurora\/Novus Select in Portland, Maine and New York with photographs appearing in such publications as\u003cspan\u003e \u003c\/span\u003e\u003cem\u003ePhoto District News, National Geographic, Newsweek, Psychology Today, Details, Der Speigel\u003c\/em\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eThe Wall Street Journal\u003c\/em\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 x 6 inch (15x.24 x 15.24 cm) image","offer_id":31196260302913,"sku":null,"price":675.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/White_Smeerenbergbreen_Iceberg_2_2015.jpg?v=1575046248"},{"product_id":"gleasonsgym-brooklyn-newyorkpetedoherty","title":"Gleason's Gym, Brooklyn, New York","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2004\u003cbr\u003eGelatin silver print\u003cbr\u003eSigned, titled, and dated, in pencil, au verso\u003cbr\u003ePrinted in 2005\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePete Doherty\u003cbr\u003e(b. 1964, Ottawa, Canada)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePete Doherty is a self-taught photographer and graduate of the Ontario College of Art, Toronto, who, for many years, left behind the world of art to become a successful amateur boxer.\u003c\/p\u003e\n\u003cp\u003eAfter retiring from his amateur career, Doherty returned to the ring with his camera in hand. His work as a photojournalist is mainly focused on boxing and the people who populate that world. His photographs document the emotions, training, and politics that make up both amateur and professional fighting.\u003c\/p\u003e\n\u003cp\u003eDoherty has participated in numerous exhibitions including “Save Me Joe Louis” at Gallery 44 Members Gallery, Toronto; “Object of the Game,” AWOL Gallery, Toronto; CONTACT Toronto Photography Festival, Toronto; D.U.M.B.O. Art Festival, New York City; Toronto Outdoor Art Exhibition, Toronto; and Queen West Art Crawl, Toronto. He has been the recipient of numerous awards, including: B+W Magazine Single Image Contest – Silver Award – Sports (2005); and Toronto Star Photo Contest, First Prize - People Category (2003). Doherty’s work can also be found in numerous collections including the Portrait Gallery of Canada, Ottawa; Wedge Curatorial Projects, Toronto; and many private collections. He currently lives, trains and photographs in Toronto.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Pete_Doherty.pdf?16192\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist CV\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Pete_Doherty.pdf?16230\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 10 inch (20.32 x 25.40 cm)","offer_id":31481314967617,"sku":"SBG-PD-0017-C","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Doherty_Gleason_s_Gym_Brooklyn_New_York_2004.jpg?v=1582132908"},{"product_id":"mcrorysclubshow-hamiltonpetedoherty","title":"McRory's Club Show, Hamilton","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2001\u003cbr\u003eGelatin silver print\u003cbr\u003eSigned, titled, and dated, in pencil, au verso\u003cbr\u003ePrinted in 2005\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePete Doherty\u003cbr\u003e(b. 1964, Ottawa, Canada)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePete Doherty is a self-taught photographer and graduate of the Ontario College of Art, Toronto, who, for many years, left behind the world of art to become a successful amateur boxer.\u003c\/p\u003e\n\u003cp\u003eAfter retiring from his amateur career, Doherty returned to the ring with his camera in hand. His work as a photojournalist is mainly focused on boxing and the people who populate that world. His photographs document the emotions, training, and politics that make up both amateur and professional fighting.\u003c\/p\u003e\n\u003cp\u003eDoherty has participated in numerous exhibitions including “Save Me Joe Louis” at Gallery 44 Members Gallery, Toronto; “Object of the Game,” AWOL Gallery, Toronto; CONTACT Toronto Photography Festival, Toronto; D.U.M.B.O. Art Festival, New York City; Toronto Outdoor Art Exhibition, Toronto; and Queen West Art Crawl, Toronto. He has been the recipient of numerous awards, including: B+W Magazine Single Image Contest – Silver Award – Sports (2005); and Toronto Star Photo Contest, First Prize - People Category (2003). Doherty’s work can also be found in numerous collections including the Portrait Gallery of Canada, Ottawa; Wedge Curatorial Projects, Toronto; and many private collections. He currently lives, trains and photographs in Toronto.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Pete_Doherty.pdf?16192\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Pete_Doherty.pdf?16230\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist CV\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 10 inch (20.32 x 25.40 cm)","offer_id":31481315000385,"sku":"SBG-PD-0030-C","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Doherty_McRory_s_Club_Show_Hamilton_2001.jpg?v=1582132877"},{"product_id":"orangevilleagriculturalcentre-orangeville-ontariopetedoherty","title":"Orangeville Agricultural Centre, Orangeville, Ontario","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2000\u003cbr\u003eGelatin silver print\u003cbr\u003eSigned, titled, and dated, in pencil, au verso\u003cbr\u003ePrinted in 2003\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePete Doherty\u003cbr\u003e(b. 1964, Ottawa, Canada)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePete Doherty is a self-taught photographer and graduate of the Ontario College of Art, Toronto, who, for many years, left behind the world of art to become a successful amateur boxer.\u003c\/p\u003e\n\u003cp\u003eAfter retiring from his amateur career, Doherty returned to the ring with his camera in hand. His work as a photojournalist is mainly focused on boxing and the people who populate that world. His photographs document the emotions, training, and politics that make up both amateur and professional fighting.\u003c\/p\u003e\n\u003cp\u003eDoherty has participated in numerous exhibitions including “Save Me Joe Louis” at Gallery 44 Members Gallery, Toronto; “Object of the Game,” AWOL Gallery, Toronto; CONTACT Toronto Photography Festival, Toronto; D.U.M.B.O. Art Festival, New York City; Toronto Outdoor Art Exhibition, Toronto; and Queen West Art Crawl, Toronto. He has been the recipient of numerous awards, including: B+W Magazine Single Image Contest – Silver Award – Sports (2005); and Toronto Star Photo Contest, First Prize - People Category (2003). Doherty’s work can also be found in numerous collections including the Portrait Gallery of Canada, Ottawa; Wedge Curatorial Projects, Toronto; and many private collections. He currently lives, trains and photographs in Toronto.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Pete_Doherty.pdf?16192\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Pete_Doherty.pdf?16230\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist CV\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 10 inch (20.32 x 25.40 cm)","offer_id":31481315033153,"sku":"SBG-PD-0036-C","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Doherty_Orangeville_Agricultural_Centre_Orangeville_Ontario_2000.jpg?v=1582132856"},{"product_id":"royalyorkhotel-toronto-ontariopetedoherty","title":"Royal York Hotel, Toronto, Ontario","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2001\u003cbr\u003eGelatin silver print\u003cbr\u003eSigned, titled, and dated, in pencil, au verso\u003cbr\u003ePrinted in 2002\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePete Doherty\u003cbr\u003e(b. 1964, Ottawa, Canada)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePete Doherty is a self-taught photographer and graduate of the Ontario College of Art, Toronto, who, for many years, left behind the world of art to become a successful amateur boxer.\u003c\/p\u003e\n\u003cp\u003eAfter retiring from his amateur career, Doherty returned to the ring with his camera in hand. His work as a photojournalist is mainly focused on boxing and the people who populate that world. His photographs document the emotions, training, and politics that make up both amateur and professional fighting.\u003c\/p\u003e\n\u003cp\u003eDoherty has participated in numerous exhibitions including “Save Me Joe Louis” at Gallery 44 Members Gallery, Toronto; “Object of the Game,” AWOL Gallery, Toronto; CONTACT Toronto Photography Festival, Toronto; D.U.M.B.O. Art Festival, New York City; Toronto Outdoor Art Exhibition, Toronto; and Queen West Art Crawl, Toronto. He has been the recipient of numerous awards, including: B+W Magazine Single Image Contest – Silver Award – Sports (2005); and Toronto Star Photo Contest, First Prize - People Category (2003). Doherty’s work can also be found in numerous collections including the Portrait Gallery of Canada, Ottawa; Wedge Curatorial Projects, Toronto; and many private collections. He currently lives, trains and photographs in Toronto.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Pete_Doherty.pdf?16192\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Pete_Doherty.pdf?16230\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist CV\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 10 inch (20.32 x 25.40 cm)","offer_id":31481315131457,"sku":"SBG-PD-0039-C","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Doherty_Royal_York_Hotel_Toronto_Ontar_2001.jpg?v=1582132832"},{"product_id":"richiesopponent-provincialfinals-mississaugapetedoherty","title":"Richie's Opponent, Provincial Finals, Mississauga","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2004\u003cbr\u003eGelatin silver print\u003cbr\u003eSigned, titled, and dated, in pencil, au verso \u003cbr\u003ePrinted in 2005\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePete Doherty\u003cbr\u003e(b. 1964, Ottawa, Canada)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePete Doherty is a self-taught photographer and graduate of the Ontario College of Art, Toronto, who, for many years, left behind the world of art to become a successful amateur boxer.\u003c\/p\u003e\n\u003cp\u003eAfter retiring from his amateur career, Doherty returned to the ring with his camera in hand. His work as a photojournalist is mainly focused on boxing and the people who populate that world. His photographs document the emotions, training, and politics that make up both amateur and professional fighting.\u003c\/p\u003e\n\u003cp\u003eDoherty has participated in numerous exhibitions including “Save Me Joe Louis” at Gallery 44 Members Gallery, Toronto; “Object of the Game,” AWOL Gallery, Toronto; CONTACT Toronto Photography Festival, Toronto; D.U.M.B.O. Art Festival, New York City; Toronto Outdoor Art Exhibition, Toronto; and Queen West Art Crawl, Toronto. He has been the recipient of numerous awards, including: B+W Magazine Single Image Contest – Silver Award – Sports (2005); and Toronto Star Photo Contest, First Prize - People Category (2003). Doherty’s work can also be found in numerous collections including the Portrait Gallery of Canada, Ottawa; Wedge Curatorial Projects, Toronto; and many private collections. He currently lives, trains and photographs in Toronto.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Pete_Doherty.pdf?16192\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Pete_Doherty.pdf?16230\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist CV\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"8 x 10 inch (20.32 x 25.40 cm)","offer_id":31481315164225,"sku":"SBG-PD-0041-C","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Doherty_Richie_s_Opponent_Provincial_Finals_Mississauga_2004.jpg?v=1582132795"},{"product_id":"markdummett-thedocks-torontopetedoherty","title":"Mark Dummett, The Docks, Toronto","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2005\u003cbr\u003eGelatin silver print\u003cbr\u003eFrom the series \"World's Greatest\"\u003cbr\u003eTitled and dated, in pencil, au verso\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePete Doherty\u003cbr\u003e(b. 1964, Ottawa, Canada)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePete Doherty is a self-taught photographer and graduate of the Ontario College of Art, Toronto, who, for many years, left behind the world of art to become a successful amateur boxer.\u003c\/p\u003e\n\u003cp\u003eAfter retiring from his amateur career, Doherty returned to the ring with his camera in hand. His work as a photojournalist is mainly focused on boxing and the people who populate that world. His photographs document the emotions, training, and politics that make up both amateur and professional fighting.\u003c\/p\u003e\n\u003cp\u003eDoherty has participated in numerous exhibitions including “Save Me Joe Louis” at Gallery 44 Members Gallery, Toronto; “Object of the Game,” AWOL Gallery, Toronto; CONTACT Toronto Photography Festival, Toronto; D.U.M.B.O. Art Festival, New York City; Toronto Outdoor Art Exhibition, Toronto; and Queen West Art Crawl, Toronto. He has been the recipient of numerous awards, including: B+W Magazine Single Image Contest – Silver Award – Sports (2005); and Toronto Star Photo Contest, First Prize - People Category (2003). Doherty’s work can also be found in numerous collections including the Portrait Gallery of Canada, Ottawa; Wedge Curatorial Projects, Toronto; and many private collections. He currently lives, trains and photographs in Toronto.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Pete_Doherty.pdf?16192\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Pete_Doherty.pdf?16230\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist CV\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 x 8.75 inch (15.24 x 22.23 cm) image | 8 x 10 inch (20.32 x 25.40 cm) paper","offer_id":31481315295297,"sku":"SBG-PD-0150-C","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Doherty_Mark_Dummett_The_Docks_Toronto_2005.jpg?v=1582134931"},{"product_id":"hersheycentre-mississauga-ontariov1petedoherty","title":"Hershey Centre, Mississauga, Ontario","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2002\u003cbr\u003eGelatin silver print\u003cbr\u003eSigned, titled, and dated, in pencil, au verso \u003cbr\u003ePrinted in 2002\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePete Doherty\u003cbr\u003e(b. 1964, Ottawa, Canada)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePete Doherty is a self-taught photographer and graduate of the Ontario College of Art, Toronto, who, for many years, left behind the world of art to become a successful amateur boxer.\u003c\/p\u003e\n\u003cp\u003eAfter retiring from his amateur career, Doherty returned to the ring with his camera in hand. His work as a photojournalist is mainly focused on boxing and the people who populate that world. His photographs document the emotions, training, and politics that make up both amateur and professional fighting.\u003c\/p\u003e\n\u003cp\u003eDoherty has participated in numerous exhibitions including “Save Me Joe Louis” at Gallery 44 Members Gallery, Toronto; “Object of the Game,” AWOL Gallery, Toronto; CONTACT Toronto Photography Festival, Toronto; D.U.M.B.O. Art Festival, New York City; Toronto Outdoor Art Exhibition, Toronto; and Queen West Art Crawl, Toronto. He has been the recipient of numerous awards, including: B+W Magazine Single Image Contest – Silver Award – Sports (2005); and Toronto Star Photo Contest, First Prize - People Category (2003). Doherty’s work can also be found in numerous collections including the Portrait Gallery of Canada, Ottawa; Wedge Curatorial Projects, Toronto; and many private collections. He currently lives, trains and photographs in Toronto.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Pete_Doherty.pdf?16192\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Pete_Doherty.pdf?16230\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist CV\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"5.5 x 8 inch (13.97 x 20.32 cm) image | 8 x 10 inch (20.32 x 25.40 cm) paper","offer_id":31481315328065,"sku":"SBG-PD-0154-C","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Doherty_Hershey_Centre_Mississauga_Ontario_2002.jpg?v=1582132248"},{"product_id":"unitasboxingclub-toronto-ontariopetedoherty","title":"Unitas Boxing Club, Toronto, Ontario","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e1999\u003cbr\u003eGelatin silver print\u003cbr\u003eSigned, titled, and dated, in pencil, au verso \u003cbr\u003ePrinted in 2008\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePete Doherty\u003cbr\u003e(b. 1964, Ottawa, Canada)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePete Doherty is a self-taught photographer and graduate of the Ontario College of Art, Toronto, who, for many years, left behind the world of art to become a successful amateur boxer.\u003c\/p\u003e\n\u003cp\u003eAfter retiring from his amateur career, Doherty returned to the ring with his camera in hand. His work as a photojournalist is mainly focused on boxing and the people who populate that world. His photographs document the emotions, training, and politics that make up both amateur and professional fighting.\u003c\/p\u003e\n\u003cp\u003eDoherty has participated in numerous exhibitions including “Save Me Joe Louis” at Gallery 44 Members Gallery, Toronto; “Object of the Game,” AWOL Gallery, Toronto; CONTACT Toronto Photography Festival, Toronto; D.U.M.B.O. Art Festival, New York City; Toronto Outdoor Art Exhibition, Toronto; and Queen West Art Crawl, Toronto. He has been the recipient of numerous awards, including: B+W Magazine Single Image Contest – Silver Award – Sports (2005); and Toronto Star Photo Contest, First Prize - People Category (2003). Doherty’s work can also be found in numerous collections including the Portrait Gallery of Canada, Ottawa; Wedge Curatorial Projects, Toronto; and many private collections. He currently lives, trains and photographs in Toronto.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Pete_Doherty.pdf?16192\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Pete_Doherty.pdf?16230\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist CV\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6.25 x 9.25 inch (15.88 x 23.50 cm) image | 8 x 10 inch (20.32 x 25.40 cm) paper","offer_id":31481315393601,"sku":"SBG-PD-0158-C","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Doherty_Unitas_Boxing_Club_Toronto_Ontario_1999.jpg?v=1582132278"},{"product_id":"hersheycentre-mississauga-ontariopetedoherty","title":"Hershey Centre, Mississauga, Ontario","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2002\u003cbr\u003eGelatin silver print\u003cbr\u003eSigned, titled, and dated, in pencil, au verso\u003cbr\u003ePrinted in 2005\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003ePete Doherty\u003cbr\u003e(b. 1964, Ottawa, Canada)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePete Doherty is a self-taught photographer and graduate of the Ontario College of Art, Toronto, who, for many years, left behind the world of art to become a successful amateur boxer.\u003c\/p\u003e\n\u003cp\u003eAfter retiring from his amateur career, Doherty returned to the ring with his camera in hand. His work as a photojournalist is mainly focused on boxing and the people who populate that world. His photographs document the emotions, training, and politics that make up both amateur and professional fighting.\u003c\/p\u003e\n\u003cp\u003eDoherty has participated in numerous exhibitions including “Save Me Joe Louis” at Gallery 44 Members Gallery, Toronto; “Object of the Game,” AWOL Gallery, Toronto; CONTACT Toronto Photography Festival, Toronto; D.U.M.B.O. Art Festival, New York City; Toronto Outdoor Art Exhibition, Toronto; and Queen West Art Crawl, Toronto. He has been the recipient of numerous awards, including: B+W Magazine Single Image Contest – Silver Award – Sports (2005); and Toronto Star Photo Contest, First Prize - People Category (2003). Doherty’s work can also be found in numerous collections including the Portrait Gallery of Canada, Ottawa; Wedge Curatorial Projects, Toronto; and many private collections. He currently lives, trains and photographs in Toronto.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Pete_Doherty.pdf?16192\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist Bio\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Pete_Doherty.pdf?16230\" target=\"_blank\" rel=\"noopener noreferrer\"\u003e\u003cspan\u003eArtist CV\u003c\/span\u003e\u003c\/a\u003e  (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 x 9 inch (15.24 x 22.86 cm) image | 8 x 10 inch (20.32 x 25.40 cm) paper","offer_id":31481315754049,"sku":"SBG-PD-0165-C","price":480.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Doherty_Hershey_Centre_Mississauga_Ontario_2002_45f81b71-99d2-4609-bb16-a8f6c2b7f373.jpg?v=1582132309"},{"product_id":"adidas-ivdeannapizzitelli","title":"Adidas, IV","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2015\u003cbr\u003eChromogenic print\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au verso\u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5 (#3\/5)\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\" target=\"_blank\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\" target=\"_blank\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\" target=\"_blank\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\" target=\"_blank\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"16 x 20 inch (40.64 x 50.80 cm) print","offer_id":31580845342785,"sku":"SBG-DP-K-0149-C","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Pizzitelli_Adidas_IV_2015.jpg?v=1584542254"},{"product_id":"altardeannapizzitelli","title":"Altar","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2015\u003cbr\u003eToned gelatin silver print\u003cbr\u003eFrom the series \"Koža\"\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au verso\u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5 (#5\/5)\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"3.25 x 2.25 inch (7.94 x 5.40 cm) image | 4.75 x 3.75 inch (11.75 x 9.21 cm) paper","offer_id":31580845408321,"sku":"SBG-DP-K-0154-C","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Pizzitelli_Altar_5of5__2015.jpg?v=1584542244"},{"product_id":"cenote-iideannapizzitelli","title":"Cenote, II","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2017\u003cbr\u003eToned gelatin silver print\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au verso\u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5 (#1\/5)\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"6 x 4.25 inch (15.24 x 10.80 cm) print","offer_id":31580845441089,"sku":"SBG-DP-K-0080-C","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Pizzitelli_Cenote_II_2017.jpg?v=1584542226"},{"product_id":"constanza-ivdeannapizzitelli","title":"Constanza, IV","description":"\u003cul class=\"tabs\"\u003e\n\u003cli class=\"active\"\u003eArtwork Info\u003c\/li\u003e\n\u003cli\u003eAbout the Artist\u003c\/li\u003e\n\u003cli\u003eArtist Docs\u003c\/li\u003e\n\u003cli\u003eArtist News\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul class=\"tab-content\"\u003e\n\u003cli class=\"active\"\u003e\n\u003cp\u003e2015\u003cbr\u003eToned gelatin silver print\u003cbr\u003eSigned, titled, dated, and editioned, in pencil, au verso\u003cbr\u003ePrinted in 2017\u003cbr\u003eEdition of 5 (#5\/5)\u003cbr\u003eUnframed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDeanna Pizzitelli (b. 1987) is a Canadian photo-based artist and educator. She completed her BFA in Photography at Ryerson University, and her MFA at the University of Arizona. Interested in the emotional landscape, Pizzitelli uses analogue processes to explore themes of fantasy, desire, longing, and loss. Her practice is motivated by the act of travel, the visual residue of her many intersections with landscape, wildlife, and culture. Pizzitelli’s work was recently exhibited at AIPAD: The Photography Show, New York, and Paris Photo, 2017. She has attended residencies in Canada, Iceland, and Portugal. She is represented by Stephen Bulger Gallery in Toronto.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_CV_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist CV\"\u003eArtist CV\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(PDF)\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Bio_Deanna_Pizzitelli.pdf?16479572363537277984\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Artist Bio\"\u003eArtist Bio\u003c\/a\u003e (PDF)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Press_Release_Deanna_Pizzitelli_Koza.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Deanna Pizzitelli - Koza Press Release\"\u003eKoža Press Release\u003c\/a\u003e (PDF) - Stephen Bulger Gallery, November 2017\u003cbr\u003e\u003cbr\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/files\/FFOTO_Deanna_Pizzitelli_Yogurt.pdf?13894549739365096064\" target=\"_blank\" rel=\"noopener noreferrer\" title=\"FFOTO - Press - Deanna Pizzitelli - Yogurt\"\u003eDeanna Pizzitelli\u003c\/a\u003e (PDF) - Yogurt\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Stephen Bulger Gallery","offers":[{"title":"13 x 11 inch (33.02 x 27.94 cm) print","offer_id":31580845473857,"sku":"SBG-DP-K-0066-C","price":720.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/products\/Pizzitelli_Constanza_IV_5of5__2015.jpg?v=1584542215"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0022\/9644\/7041\/collections\/e3e1d5032527807d2daebabee474b4b5j_2048x2048_b722c302-07d7-434a-a630-17c8af1443bd.jpg?v=1778179535","url":"https:\/\/ffoto.com\/collections\/photos-under-us-750-copy.oembed?page=13","provider":"FFOTO","version":"1.0","type":"link"}